Warning... this is an adult site. If reading or viewing things about what gay men do sexually with one another bothers you - you should not read this blog. This blog is a reflection of my adventures and thoughts. Some are fun, some not so pretty. I won't name names, or kiss and tell... but I will live to tell. And baby, trust me - I am gonna spill it all over your pretty little party dress. Enjoy!
Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new about something classic.
Today, we take a look at the musical legacy of gender-identity dance pioneers, Book of Love.
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From Wikipedia:
Book of Love was an American synth-pop and electronic band, formed in 1983 in Philadelphia, Pennsylvania and later based in New York City. Led by vocalist Susan Ottaviano, the band also includes keyboardists Ted Ottaviano, Lauren Roselli and Jade Lee. The band gained its first exposure as the opening act for two Depeche Mode tours in 1985 and 1986. The group has been described by the Houston Press as "forward thinking" for lyrics dealing with sexual orientation and gender roles.
The Book of Love discography consists of four studio albums, three compilation album, fourteen singles, and one promo only single released on Sire Records, or Reprise Records, as well as nine music videos.
Their biggest success came on the US dance charts, placing seven singles in the Billboard Hot Dance Club Play chart between 1985 and 1993. The group's largest exposure on pop radio was with the song Pretty Boys and Pretty Girls, one of the first songs to openly address the AIDS epidemic. The song, from the album Lullaby, was originally the second half of a medley with the group's version of Mike Oldfield's Tubular Bells, the 1973 instrumental that served as the eerie theme music of the classic horror film The Exorcist. Edited down to single length, Pretty Boys and Pretty Girls became Book of Love's only Hot 100 entry, peaking at no. 90 in 1988.
The band's music has been featured in various films and television over the years. Their song Modigliani (Lost in Your Eyes) was featured in the 1987 John Hughes film Planes, Trains & Automobiles as well as in the Miami Vice episode, God's Work. In 1991, the song Sunny Day was featured in the movie The Silence of the Lambs, in a scene in which band member Lauren Roselli had a cameo with Jodie Foster. Also, the song Enchanted, from the band's Lovebubble album, appeared on the soundtrack to the 1993 film Naked in New York, and the song I Touch Roses, was featured in the 2000 movie American Psycho.
Since their active years, Book of Love's songs Boy and I Touch Roses have been rediscovered by new audiences and remixers. Both songs, in their original versions and subsequent remixes, are heard in dance clubs and on alternative radio stations.
In February, 2001, sixteen years after its first dance chart entry, Book of Love had its first #1 hit on the US dance chart when Boy, a track originally from its debut album, was remixed and re-released as the lead single from their greatest hits collection, I Touch Roses: The Best of Book of Love.
In 2013, the band reunited for a string of club tour dates and has since that time been working on new material, frequently without the input of Jade Lee.
Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new.
Today, we take a look at the music and brief history of the UK's pop band King.
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From Wikipedia:
King was an English new wave band which formed in 1984. They achieved chart success in 1985, and are best known for their hit single Love & Pride, which reached #2 in the UK. The band had two Top 20 albums and five Top 30 singles in the space of a year.
Hailing from Coventry, the band formed from the remnants of a rock-ska band called the Reluctant Stereotypes. along with producer Paul Sampson. The group, then known as The Raw Screens, perfected their act and style to what Paul King and his manager Perry Haines called 'Multi Tone', a reference to Two Tone. In 1983, the group became known as the band King, taken from the surname of lead singer Paul King.
The group consisted of: Paul King (vocals, piano), Mick Roberts (keyboards, synthesizers, piano, backing vocals), Tony Wall (bass guitar), Jim 'Jackal' Lantsbery (guitar, backing vocals), and John Hewitt, Adrian Lillywhite, Colin Heanes (drums).
They made quite the fashion statement; Paul King sported a mullet haircut and spray-painted Doc Marten's Boots – a look described "like the Child Catcher from Chitty Chitty Bang Bang". The band released two UK Top 20 albums on CBS, both produced and mixed by Richard James Burgess, who also played drums on most of the debut album, Steps In Time. The second album Bitter Sweet, featured Adrian Lillywhite on drums. Both albums were certified gold and produced five hit singles, the most successful being the UK #2 hit, Love & Pride, which was King's only single to chart on the US Billboard Hot 100, peaking at #55.
Despite a year of success, the band split up in 1986 - likely due to a combination of creative differences and personal circumstances. In 1987, Paul King released a solo album entitled Joy, produced by American producer Dan Hartman. It failed to make much of an impact. After that, he briefly worked as a VJ for MTV and later worked for MTV Networks Europe, producing shows for VH1 and MTV.
Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new.
Today, we take a look at the brief musical history of the UK's Eighth Wonder, featuring Patsy Kensit.
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From Wikipedia and other sources:
Propaganda is a German synth-pop band formed in Düsseldorf in 1982 by Ralf Dörper. As a trio, with artist Andreas Thein and vocalist Susanne Freytag, the group began recording in Germany. These tracks were destined for future release in the UK, where Ralf Dörper's early, pre-Propaganda experimental recordings had received critical acclaim by radio DJ John Peel and journalist Chris Bohn. With the inclusion of classically trained musician and composer, Michael Mertens and singer Claudia Brücken, music journalist Paul Morley signed the band to Trevor Horn's newly formed ZTT label in 1983.
The group relocated to the United Kingdom and released the single Dr. Mabuse, named after the fictional character made famous by filmmaker Fritz Lang. The single reached the Top 30 in the UK Singles Chart, and the Top 10 in Germany. To promote the single and themselves, the group appeared on various TV shows in the UK.
Before the year was out, Thein was asked to leave the band due to musical differences. With Mertens now filling the gap left by his departure, the band forged ahead with recording its follow-up single and debut album. However both of these were to be delayed as a result of the unexpectedly huge success of ZTT's Frankie Goes to Hollywood. As the label was still in its infancy, ZTT was forced to spend all its limited resources promoting and marketing Frankie Goes to Hollywood. This meant that Trevor Horn was not available to produce Propaganda's album. Stephen Lipson, one of Horn's established studio engineers, took his place. With the addition of Andy Richards playing keyboards and Lipson behind the board, Propaganda's second single, the more pop-oriented Duel, did not surface until April 1985. Perhaps the band's most recognizable release, it was also their highest-charting single in the UK, reaching #21. The band made its an appearance on Top of the Pops in June of that year.
The first week of July in 1985 finally saw the release of the band's debut album, A Secret Wish which was written by Mertens and Dörper. After receiving considerable critical acclaim and some commercial success, it climbed to #16 on the UK Albums Chart. The album was followed by another single, p:Machinery, that August. While it only reached #50 in the UK, it became a much a bigger hit in Italy, France, the Netherlands, Germany and Switzerland. In addition, it was used as part of the soundtrack for an episode of the hit US TV show Miami Vice. The 12-inch version caused controversy (even within the group) as Paul Morley thought it a good idea to have the sleeve feature a quote by writer J. G. Ballard, praising the activities of the German extremist group Red Army Faction. Ariola, who distributed ZTT's releases in Germany, refused to carry the 12" as a result, so the quote was changed on the German release.
The group spent the rest of the year on their Outside World tour, taking in Europe and America. They were joined by three former members of Simple Minds - Derek Forbes on bass, Brian McGee on drums, and Kevin Armstrong on guitar - all accompanied with backing tapes used for most of the keyboard parts. In the meantime a remix album, Wishful Thinking, was released in November of 1985. Originally intended for the American club market, the album was also released in Europe, but against the wishes of the group. The album peaked at #82 in the UK. A remixed version of p:Machinery was re-released as a single, but failed to make an impact in the UK, but was, again, more successful in France, Spain, and Germany.
The year 1986 started positively with the single p:Machinery going #1 in Spain and entering the Top 10 in France, but ended in disaster. By late 1985, the band's management team had introduced them to the London-based music lawyer Brian Carr of Compton Carr, who had helped win the case between John Lydon (Sex Pistols/Public Image Ltd) and his management.Carr explained to the group members that under their current contracts with ZTT, they could go on making records for the rest of their lives and never make any money. Based on this information the band asked ZTT to renegotiate their contract, which the company declined.
Soon afterwards, Claudia Brücken - who was married to ZTT's Paul Morley - left Propaganda to pursue a solo career, signed to ZTT. After a protracted legal battle, which saw the remaining members of Propaganda under an injunction by ZTT for fourteen months, they were finally released from their contract in a hurried out-of-court settlement in the summer of 1987.
In 1988, the band, now reduced to Ralf Dörper, Michael Mertens and Susanne Freytag, signed to Virgin, and began recording new material. The new line-up included American vocalist Betsi Miller, and members of their touring group, ex-Simple Minds bassist Derek Forbes and drummer Brian McGee (who had both actually joined the band following their split with ZTT in 1986). The result was a new album, released in 1990 called 1234, produced by former Tears for Fears' associates Ian Stanley and Chris Hughes. Dörper and Freytag's contributions to the album were quite limited with, Freytag only singing on the title track and Dörper contributing lyrics for three three tracks - Only One Word (which featured David Gilmour of Pink Floyd on guitar),Wound in My Heart, and Vicious Circle.
The first single from the album, Heaven Give Me Words, was co-written with 1980s synth-pop star Howard Jones and reached the UK Top 40. However, the album was not as successful, stalling at #46 in the UK. The second single, Only One Word, met a similar fate, stalling at #71 in the UK. This led to the group taking a hiatus.
In 1998, Mertens, Brücken, and Freytag reunited, signing an options deal with East West, and began working on new material. Several tracks were completed, including one produced by Tim Simenon and featuring Depeche Mode's Martin Gore on guitar. A video for one song, the prophetically-titled No Return, was produced in Morocco in December of 1998. Two minute clips of it, along with photos of the shoot, were released via the band's official website in early 2000. However, no album materialized and, in January 2002, Brücken announced, "The reunion was worth a try, but did not work out."
However a real reunion of the four original band members took place in November 2004, when Brücken, Dörper, Freytag and Mertens - but without Thein - performed Dr. Mabuse at a concert for the Prince's Trust which took place at Wembley Arena, celebrating 25 years of Trevor Horn's career as a successful producer.
Since that time, various configurations of former members have gotten together for special appearances and the occasional recording, including an album in 2024, featuring Dörper and Mertens.
Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new.
Today, we take a look at the brief musical history of the UK's Eighth Wonder, featuring Patsy Kensit.
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From Wikipedia and other sources:
Eighth Wonder was an English pop band, formed in 1983 in London, initially composed of singer/model/actress Patsy Kensit, her brother Jamie Kensit, Steve Grantley, Geoff Beauchamp, Nigel Davis, Jake Walters and Lawrence Lewis. The band first enjoyed major success in Japan and Italy before breaking through in the UK and across Europe.
Eighth Wonder began life as a band called Spice. The line-up consisted of Patsy Kensit on vocals, her brother Jamie Kensit and Geoff Beauchamp on guitar, Lawrence Lewis on bass, Jake Walters on drums and Nigel Davis on percussion. Spice made their live debut in the autumn of 1983, and then spent the next year playing gigs in the hope of gaining the attention of record labels.
In late 1984, Davis left and keyboard-player Alex Godson joined. At that point, they renamed themselves Eighth Wonder and Patsy Kensit began to write songs for the band. At one of their gigs, Stephen Woolley, co-owner of Palace Films, and director Julien Temple offered Patsy Kensit the role of Crepe Suzette in their 1986 movie musical Absolute Beginners. In edition, Eighth Wonder was asked to contribute a song to the soundtrack.
By April of 1985, Eighth Wonder had signed to CBS Records and began recording in London, working around Patsy Kensit's filming of Absolute Beginners. In October of that same year, their first single Stay With Me was released. It achieved success in Japan, where it went to #1, and Italy, where it peaked at #4. while failing in the UK, where it only managed to reach #65. Shortly after, Lewis and Walters left the band. It was at this point that the band began using drum machines and substituting keyboards for their bass sound.
In August of 1986, they went to Los Angeles to work with producer Mike Chapman, best known for his work with Blondie. Drummer Steve Grantley then replaced Godson. The top songwriters of the times offered them new material and these tracks formed their debut album, Fearless. Of these tracks, Will You Remember was released in the UK where it only reached #83. They fared much better in Japan and Italy. In Japan, When The Phone Stops Ringing gave them their second #1, while in Italy Will You Remember slid into the Top 10, mostly due to the media attention surrounding their performance at a music festival in which Patsy experienced a wardrobe malfunction resulting in the exposure of one of her nipples.
I'm Not Scared, co-produced and written by the Pet Shop Boys and Phil Harding, was chosen as the next single in Europe, where it was greeted with media and public enthusiasm, becoming a Top 10 hit in almost every country in Europe. It went to #1 in Italy, #2 in Switzerland and Portugal, #3 in Spain, #4 in Greece, #5 in Germany, #7 in the UK, #8 in France and #20 in Austria.
In May of 1988, another single, Cross My Heart, found similar success, hitting #6 in Switzerland, #10 in Italy, #13 in UK, and France, and #56 in the US. The album was finally released in July of 1988, and by that October, had achieved almost 500,000 sales internationally.
However, the follow-up single, Baby Baby only got to #65 on the UK Singles Chart and would prove to be their final hit in Italy, peaking at #13. Shortly after this, the bandmembers parted ways, with Patsy Kensit deciding to focus on her marriage and acting career.
Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new.
Today, we take a look at the techno-billy pop of Denmark's Cartoons.
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Cartoons started out as the Scooters in the late 1980s, playing rockabilly music from the 50s and 60s, releasing one album. In 1997, they changed their name to Cartoons and their musical style switched from rockabilly to 'technobilly' - a mix of rock and roll and Eurodance. Many of their songs were remakes of old rockabilly hits which they covered when they were the Scooters. The group first signed to FLEX Records, moving later to EMI Denmark.
Original members included: Toonie (Martin Østengaard), Sponge (Jesper Dukholt), Shooter (Erling Jensen), Buzz (Dave Stevens), Puddy (Natasja Skov) and Boop (Karina Jensen).
Their cover version of Ross Bagdasarian's novelty song Witch Doctor reached #2 in the UK, and charted equally well throughout Europe (#2 in Ireland, #9 in Belgium, #12 in the Netherlands, #13 in Sweden, etc.) The group enjoyed further success in the UK with the Top 10 hit DooDah, which also proved popular throughout Europe (#3 in Belgium, #5 in Denmark, #9 in Italy, #10 in Sweden, etc.)
Their debut album, Toonage sold incredibly well, peaking at #2 in Denmark, #6 in Italy, #8 in Spain, #10 in Portugal, #12 in Sweden, #14 in Norway and #17 In the UK.
A further UK Top 20 hit, a remake of Jim Davidson's Generation Game's Aisy Waisy followed.
However, the group's second album, Toontastic, failed to match the success of its predecessor, charting only in Denmark (#7). And the string of singles which followed - Diddley-Dee, Little Red Ridinghood, Big Coconuts, Chirpy Chirpy Cheep Cheep and a reworked cover of Les Humphries Singers' Mama Loo - met a similar fate. It seemed the writing was on the wall.
In 2001, Cartoons suddenly disbanded for unknown reasons. It was later revealed, during a Danish TV interview, that the group was set to tour the US, but these plans were cancelled due to the September 11th attacks. In 2005, the group came back together to promote their Greatest Toons album which included a new single, Day Oh. In addition, they performed a number of shows throughout Europe, including at Bonbonland and the Jelling Musikfestival.
In July 2016, Karina Jensen died of cancer, which she was originally diagnosed with in 2012. And in April 2019, Erling Jensen died of lymphoma at the age of 50. Since that time Jesper Dukholt, the sole original member, has soldiered on with a new cast of players, occasionally appearing at festivals and on package tours.
In 2020, they returned to the studio with original producer Kenneth Bager to record a new single, Shots, which was released in 2023, and, later that year, collaborated with Marnage to produce a faster version of DooDah.
Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new.
Today, we take a look at the zany turbo-pop of Denmark's Daze.
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Daze is a Danish Eurodance band, best known for their singles Superhero, Toy Boy and Together Forever (The Cyber Pet Song). The group's members are Trine Bix, Jesper Tønnov and Lucas Sieber.
Daze started out as Systematixx in 1994, with Trine Bix, Jesper Tønnov, Lucas Sieber and Steen Bay Hansen. But by 1997, Bix, Tønnov and Sieber decided to form a new band, and chose the name Daze, which was a brainchild of RnB producer Karlin.
The group's debut album, Super Heroes, was released in Scandinavia by Sony Music, and sold 31,000 copies. That got the attention of Columbia Records, who released the album in the US and Epic Records, who distributed it in non-Nordic global territories. All in all, it became a double platinum international hit and the group won the Danish Grammy Award for Best Dance Album of 1997.
The lead single, 15 Minutes Of Fame, of their second album, They Came To Rule, seemed to signal that the group was aware their time in the spotlight might be brief. And the clock was, indeed ticking, as it failed to chart anywhere but Sweden, where it peaked at #54. When their second single from the album, prophetically titled, 2nd Chance failed to chart at all, the group's pop tenure was over.
Since that time, a pair one-off singles followed in 2012 and 2013, but neither resurrected the band's prospects. The song in 2013, We Own The Universe, was part of the 2013 Dansk Melodi Grand Prix competition in Denmark and their bid for a place in the Eurovision Song Contest.
Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new.
Today, we take a look at the multi-influenced music of the phenomenally talented Noisettes.
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From Wikipedia and other sources:
Noisettes are an English indie rock band from London composed of singer and bassist Shingai Shoniwa and guitarist Dan Smith - and, at one time, drummer Jamie Morrison.
Formed in 2003, the Noisettes gradually formed a reputation for being one of the rowdiest live acts in London. Early feedback about the band was largely positive. Entertainment Weekly placed the band on its November 2005 list of Six Indie Brit Bands on the Cusp, and said the band possessed a "sound like high-drama, heavily syncopated swagger-and-sway rock, spearheaded by incandescent frontwoman Shingai Shoniwa." In a March 2006 article on UK bands, USA Today said, "The incendiary Shingai Shoniwa leads this London blues-punk band, known for its feral and explosive live show."
Ever evolving, the group would eventually showcase Shoniwa's unique vocal style with a sophisticated blend of new wave, D,I.Y. punk, rock-a-billy, mersey beat, and vintage soul, with elements of dance, rock and pop. Theirs is a truly unique sound with Shoniwa serving as the perfect visual embodiment.
The group released two EPs, one in 2005 and one in 2006. The latter was used to showcase material for their debut album, What's The Time, Mr. Wolf?, released on Vertigo in February of 2007. Their commercial breakthrough came with their second album, 2009's Wild Young Hearts and its second single Don't Upset The Rhythm (Go Baby Go) which snagged the #2 spot in the UK and the #8 spot in Ireland. The song had been featured in a Mazda 2 television ad. A follow-up single, Never Forget You, also did well on the charts, peaking at #20 in the UK, #24 in Ireland, and #25 in Belgium and was featured in a DFS furniture advertising campaign - and later, served as the jingle for a TV commercials and all-media marketing campaign by Vodafone in Italy.
In January 2010, drummer Jamie Morrison abruptly left the band, leaving Shoniwa and Smith to soldier on as a duo. Biding their time, a couple of one-off's were recorded - the cover of a Buzzcock's song and a newly recorded version of their song Sister Rosetta which then appeared on the soundtrack for the 2011 film, The Twilight Saga: Breaking Dawn - Part 1.
New music surfaced in 2012.The album, entitled Contact, was released on August, 27, 2012. It received generally positive reviews, but failed to match the commercial impact of their previous album, charting 23 places lower and peaking at #30 on the UK Albums Chart. The lead single from the album, That Girl followed suit, peaking at #87 on the UK Singles Chart.
Since that time, Shoniwa has released an EP in 2017 and her solo debut album in 2020.As of this writing, Noisettes remains a viable duo.
Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new.
Today, we take a look at the brief history of the marvelous girl group A La Carte.
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From Wikipedia and other sources:
Based in Germany, A La Carte was a pop-disco girl group formed in 1978. Producers Tony Hendrik and Karin Hartmann helped with the start up of the group. The trio originally included three British girls: Patsy Fuller, Julia and Elaine. Their first song was When the Boys Come Home, released in March of 1979.
Female disco groups like A La Carte were very popular in Europe at the time. With a performance in the Musikladen television show, the group gained immense popularity in Germany. They maintained a loyal following thanks to their lovely vocals/harmonies, simple, tasteful presentation, and ABBA-influenced pop tunes. The group would enjoy four Top-30 hits in Germany and make numerous television appearances.
For unknown reasons, the line-up changed often, typically with the release of each new single. Jenny Renshaw became the only permanent member when she joined the group in October 1979. By 1981, the group consisted of Jenny Renshaw, Linda Daniels and Joy Martin. Together, they released the album Viva.
The group continued to undergo many more line-up changes. In 1982, they recorded their Rockin' Oldies album, which included covers of songs from the 1960s.
The final line-up featured Jenny Renshaw, Joy Martin and Katie Humble. Popularity for the disco music genre as a whole declined with the development of newer music styles, which ultimately led to the group disbanding in 1984.