Sunday Diva/Three From The Hip: Shakira

Sunday Diva/Three From The Hip

Shakira

In my own personal big gay church, there is a wing devoted to those belonging to The Rhythm Nation. These women got us to think, encouraged us to love and respect ourselves, made us feel sexy as hell and... most importantly, got us to dance! One such diva brought a sense of abandon, unlike any other. No on celebrates quite as intensely as...

Shakira!

Three from the hip... and those hips do not lie! This goddess has body parts which move in ways they were never designed to.

Is there anyone as fierce as this self-proclaimed she-wolf?

After building momentum in South America, this Columbian fireball burst on the scene in the US calling all the boys to the yard.

Yes, she's sexual... but she's also incredibly smart. 

With her and in her work, she brings a sense of cultural appreciation; she knows where she comes from and will take any opportunity to share and educate. She has no desire to be anyone else, for she knows who she is and where she came from. 

She also has a strong sense of purpose and duty. It wasn't enough simply to become an international singing sensation - she's also intent to make the world a better place. 

Her songs speak of unity. Of belonging. And call us all to think of ourselves as one world working together so we all may live lives of quality and beauty.

And she doesn't merely talk the talk... she walks it. 

At the age of 18, she founded The Pies Descalzos Foundation, an organization working to make sure everyone has access to an education. For she recognized early on the power that knowledge possesses and wanted everyone to be granted the opportunity it harness it, not only for personal fulfillment, development, and gain - but also in order to create a better planet. 

And this diva has strived to be so much more... in her life she has experienced the joys of great love, the challenges of motherhood, and the sobering reality of heartbreak.  

Through it all, she has remained true to herself, her family, and her mission in life. 

The gospel according to her?

Well, here are three from the hip, dropping from her lips.

The topic? The Power Of Education

I started the Pies Descalzos foundation in Colombia when I was 18, and since then I have been very involved in the crusade for education.”

“There is no other investment that has the kind of social multiplier effect that early education has. It is an incredible thing to nurture and watch grow and spread.”

“We know that many boys and girls leave school because of poverty, because they have to work. However, there are an important number of children who abandon their studies because of the abuses they’re subject to by teachers and their own parents.”

“I thank God that I’m a product of my parents, that they infected me with their intelligence and energy for life, with their thirst for knowledge and their love. I’m grateful that I know where I come from.”

“My dad is a writer, and to see him always in front of a typewriter gave me the inspiration to write. He was my idol, my hero. I wanted to be just like him.”

“I love reading about history. Sometimes, I feel I was born in the wrong era. There was more creativity in the air when people were still discovering new worlds.”

Our leaders are lacking love, and love is lacking leaders.”

I believe that every single one of us, celebrity or not, has a responsibility to get involved in trying to make a difference in the world. Our generation faces many challenges, some of which were passed on to us by the past generations, but it's up to us to find solutions today so that we don't keep passing our problems on.

“We have to promote human solidarity, avoid indifference, and play a part with society in the solution of the problem of violence...”

Hips Don't Lie - Shakira feat. Wyclef Jean

Waka Waka (This Time For Africa) - Shakira 

feat. Freshlyground

TQQG - Karol G. / Shakira

And one last parting shot...

I'm a multi-faceted woman and person, like all women are - there's no black and white. We have shades of grey in the middle. And even many more colours that other people don't see!

My brain, I believe, is the most beautiful part of my body.

I do take advantage of, you know, feeling sensual and feeling sexy. And I think that is tremendously empowering and is not diminishing in any way. I feel that any woman who is in control, who is in touch with her femininity and sensuality, is a woman that is empowered.

“I always believed that women have rights and that there are some women that are intelligent enough to claim those rights. There are some others that are stupid enough not to.”

In this life, to earn your place you have to fight for it.

April Showers, the Masses Devour: Music Reviews for the Radio Weary

They say hope springs eternal...

...but sadly, there does not seem to be a whole lot to cheer about among the current spring earworms slithering their way onto the airwaves.  

Maybe the best is to come with summer.  Fingers crossed.  

Here’s my take on the latest crop:

Me and My Broken Heart – Rixton

So, Rob Thomas and Matchbox 20 are now retro enough to inspire this homage?  

Brought to you by what appears to be a calculated quartet of teen magazine-ready lads, there’s nothing terribly original or exciting to be found here, though it does have enough pop smarts to sound perfectly at home on the airwaves; where it, too, will evaporate into the sound sphere, haunting us for eternity on the Reoccurring Hits chart.   

Into the Blue - Kylie Minogue

This is rather a surprise. This 45 year-old diva takes on the sound of the Disney / Nickelodeon princesses and comes up with a winner.  There’s a lot going on here and Kylie actually sounds like a human being instead of a character from some generic piece of anime. The bottom is missing in the mix, but the song is very likable, easy on the ears, life positive, jubilant, and, dare I say, snappy. 

If it doesn’t find a home on radio, it will only go to show that veteran acts can’t get air play in these modern times. Because this?  This should be a hit.

Believer – American Authors

Follow-up to their break-out hit ‘Best Day Ever’ (which is still in the top 40), American Authors don’t stray far from that formula, though this one is a tad less peppy.  Still, it has a couple of decent hooks, so it may manage to scrape its way to the bottom of the top 40 and become their second hit.  Yes, there is something very generic about the whole package, but likable enough all the same.

FALLINLOVE2NITE – Prince feat. Zooey Deschanel

Nice to have Prince back on the radio.  This derivative pile of disco clichés hits a sweet nostalgic note, bringing to mind the best (fun) and worst (repetitive riffs, lack of substance, boilerplate strings and horns) of disco.  It’s all in good fun.  

Wish this was a sign that Prince was wising up and has come to the realization that aloofness rarely works when it comes to making the masses dance.   

Perhaps it’s the recent appropriation of his signature styles by the likes of Jason Derulo (Chris Brown without all the woman beating) and Robin Thicke (the new Tom Jones) that has spurred this latest attempt at regaining his position on the charts.  Whatever the case, this is a welcome entry.  

Oh, and the presence of Ms. Deschanel?  Eh.  No harm.

Beating Heart – Ellie Goulding

A track from the ‘Divergent’  (some ‘Twilight’ / ‘Hunger Games’ tween thing) soundtrack.  Hearing it, all I can think of is Florence + The Machine, as Ms. Welch has the kind of stuttering bleat that sells this type of fractured, yearning, vague ballad-pop.  This one is a bit on the weak side, and I doubt it has the kind of power to find its way onto the radio. 

Goulding, of course, acquits herself quite nicely.  There’s nothing to dislike here, but also nothing to keep your attention for three and a half minutes.

I’m Only Joking – KONGOS

Big cajun jungle drums and an almost industrial-style sneer fuel this one. There’s something sinister and gleefully evil about it, but not really.  It’s simply pop in the form of ‘Sisters of Mercy’ with a concertina thrown in for authenticity.  

Still, it’s a nice reprieve from the flood of tweeny pop.  

God, I miss rock and roll.

Girls Chase Boys – Ingrid Michaelson

This track lopes along in a sunny, familiar way.  It sort of reminds me of some of Tom Tom Club’s stuff.  Sounds great on the radio, although I think its mid-tempo beat will relegate it to rotation on adult alternative stations only.  

The video is an homage to Robert Palmer’s classic ‘Simply Irresistible’ vid, and isn’t nearly as funny as I’d hoped.  

Ingrid is smart (or does she simply look so?), which sadly doesn’t play well to the masses these days.

Cheap Sunglasses – RAC feat Matthew Koma

How fun.  More Tom Tom Club sunniness, although Owl City would seem to be the actual inspiration for this one.   The slight calypso-like steel drum that percolates beneath elevates it quite a bit.  The lyrics are a joy as well.  

RAC is a well-established remixer taking a shot at his own bit of pop heaven.  Based on ‘Cheap Sunglasses’, I’d say he’s ascending.

Wild Wild Love – Pitbull feat. G.R.L.

The dullest rap Pitbull has ever contributed to anything spliced onto a faceless G.R.L. vocal that flirts with that whole hokey hoe down meets dance music sound.  

The chorus plays well, but oh, Mr. Pitbull… I fear the end is near.  This feels far too desperate and empty, even for you.  

And given that you’re sleepwalking?  Please put back on your shades, hon.

Summer – Calvin Harris

This is not the summer anthem Mr. Harris (isn't he sexy?) would like it to be.  The vocals are odd, to say the least, the lyrics boring, and once the icy synths explode with predictability, it would be really easy to write it off completely.  But then there’s a key change and some female backing echoes, and then a pause, and then another key change and then… all for naught. It still feels like it was pooped out in 1998.  

This is a slight bit of a song stretched to the breaking point, wearing out its welcome in a way that the season itself never will.

Red Lights – Tiesto

When I think ‘Tiesto’, I think of his ‘Adagio for Strings’  – an innovative bit of whirling dance floor brilliance back in the day.  This?  I don’t know who this is; it sounds horribly bland; flaccid lyrics with an unimaginative, whiny vocal.  In other words, it works just fine on the current sound-scape.  

Glad Tiesto finally has a mainstream hit, sorry this is it.

Empire – Shakira

This is Alanis More-Or-Less in bombastic mode (remember ‘Uninvited’?): her vocal tics, her quirky lyrics, with a bit of Tori Amos thrown in for good measure. Only the occasional bellow clues us in that this is Shakira, in search of a hit.  

Well, she’s found one.  

This one has enough drama for everybody’s Momma; it plays like the theme song for some stupid blockbuster movie. Yep, this could turn out to be her biggest yet.

I Swear I Lived - OneRepublic

Sporting  enough platitudes to shore up their own Hallmark store (and owing a rather large debt to Dylan's 'Forever Young'), OneRepublic continues its assault on America’s ear drums.  Ryan Tedder is bound and determined to leave no cliché’ unturned and I am not just talking about the lyrics.  

Sweet, achingly sincere acoustic, Christian rock opening?  Check.  Shuffle beat build up?  Check.  Stadium-ready, soaring, inspirational, declarative Coldplay-like bombastic chorus?  Check. 

Yes, it’s likable.  Yes, it’s harmless.  And, yes, it will be wafting from the speakers of our car radios for the next four to six months. Sigh.  It’s almost enough to make me yearn for a new Maroon 5 album.  I said, almost…

G.U.Y. – Lady Gaga

The video for this song looks… expensive.  So, it seems everybody in the industry feels that ‘ARTPOP’ is a huge failure.  And while it might not be garnering the kind of sales record companies like, and the singles do appear to be underperforming on the charts, I wouldn’t be so quick to slap that label on it.  

That she’s grown as a vocalist is undeniable, as is the fact that she’s stylistically cast a wider net.  Does it all work?  No.  For example, the childish spoken word stanzas that link verse to chorus  on ‘G.U.Y.’ pretty much sink this one as far as radio is concerned.  

But visually?  

The lady has got it going on.  Gone is amateur hour… she’s a professional now.  

Every artist of any worth goes through a period of growth marketed as new product.  It’s what comes next that has me excited about Ms. G.