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Showing posts with label Canada. Show all posts
Showing posts with label Canada. Show all posts

Saturday, July 09, 2022

Wonderland Burlesque's Down The Rabbit Hole: Rough Trade

Wonderland Burlesque's 
Down The Rabbit Hole: 
Rough Trade

The other week, as part of a Let's All Go To The Movies post, I was doing a bit of research about the 1980 movie Cruising. and came across the name of a group that was asked, by the director, to contribute to the movie's soundtrack. The name was more than familiar; I had a file on Rough Trade - no, not the kind you pick up at certain gay bars - the musical duo from Canada.

Rough Trade's original stint (there have been a few reunions) lasted from 1968 to1988. The band revolved around singer Carole Pope and multi-instrumentalist Kevan Staples. The two met while members of a folk trio known as 'O.' When the other member left, they carried on as The Bullwhip Brothers, until evolving into Rough Trade in 1973.

The band was noted for their provocative lyrics, a mix of R&B/Rock and stage antics which included Pope often performing in bondage attire. They quickly became fixtures and a popular draw on Toronto's live music scene. 

Their first album, 1976's Rough Trade Live, was recorded live, in the studio, with no breaks, no audience - the band just kept playing and the  tape just kept rolling.

Take Me / Birds Of A Feather - Rough Trade

On December 19, 1977, the band presented a newly-created live musical called Restless Underwear, which co-starred Divine. The show, noted for its outrageous (for the time) sexual satire, played at Toronto's prestigious Massey Hall - for one night only. Everyone quit in a dispute over payment the very next day.

After a six month hiatus, the band - reformed, with new members - returned as regulars on Toronto's live music circuit. The duo got a bit of a financial boost in 1978, when Tim Curry covered one of their songs, Birds Of A Feather. It served as the lead track on the A&M album, Read My Lips. In addition, they were writing music for film and television soundtracks, winning a 1978 Genie Award for their contributions to the made-for-TV movie, One Night Stand.

On Valentines Day, 1980, the band revived their musical Restless Underwear at Manhattan's Beacon Theatre. Unfortunately, the promoters decided to pitch it as a show starring Divine - who only sang two numbers in the second act - and the show was poorly received. 

Shakedown - Rough Trade
from the 1980 film, Cruising

The group's song, Shakedown, was chosen for the soundtrack to the William Friedkin's highly controversial 1980 film, Cruising. Released as a single, it failed to chart. The band also appeared in the 1980 Canadian horror/thriller film, Deadline. 

Signing on with True North Records, they finally recorded a second album, their breakthrough, cleverly titled Avoid Freud. Released in October of 1980. the lead single, What's the Furor About the Fuhrer? was considered too controversial for radio stations, who flipped the single and played the B-side - Fashion Victim, which became the group's first Top 40 hit in Canada. 

Victim Of Fashion - Rough Trade

The follow-up single proved equally controversial, but got plenty of airplay. In fact, it became one of their signature songs. 1981's High School Confidential was one of the first explicitly lesbian-themed Top 40 hits in the world. It became a Top 20 hit in Canada and, due to an appearance on the popular Canadian comedy show SCTV, which was broadcast in the US, the broke through a bit in that market.

High School Confidential - Rough Trade

Their next album, For Those Who Think Young (original title: For Those Who Think Jung,) contained their highest charting single, All Touch (#12). The album and single's release was delayed a whole year outside of Canada. Still, All Touch managed to hit #40 in Australia (spending 40 weeks in their Top 100) and would also be their sole charting single in the US, peaking at #58 in early 1983. The single had plenty of momentum in the US, however, their distributor, Boardwalk Records, abruptly declared bankruptcy, halting all promotional activities. As a result, the single ceased to be available for sale in record stores throughout the US.

All Touch - Rough Trade

Their fourth album, 1982's Shaking The Foundation, yielded the Canadian Top 20 hit, Crimes Of Passion. The album featured Dusty Springfield on backing vocals. Springfield was so taken with the band that she covered two of their songs, Softcore and I Am Curious on her sole album for Casablanca Records, 1982's White Heat. Staples plays clavinet, mini-moog, and acoustic piano on the two cuts.

It was later revealed that Springfield and Pope were in the midst of an intimate relationship during this time.

Crimes Of Passion - Rough Trade

In 1983, Rough Trade were featured in a Pepsi commercial which aired in Canada. However, the ad, due to clearance issues, was quickly pulled from the airwaves. It was the beginning of a marked decline in the band's popularity. Their next album, 1983's Weapons, failed to generate a charting single. This was followed by the band's 1984 final full-length album, O Tempora! O Mores!, which spun off two singles which just barely brushed the Canadian Top 100.

A greatest hits package (Birds Of A Feather) was accompanied by a final full-scale tour in 1986.

Since breaking up in 1988, there have been a number of reunion gigs. Since then, Staples has been concentrating on composing scores for film, television and theatre, while Pope enjoyed a moderately successful solo career. 

Grade B Movie - Rough Trade

Sunday, August 01, 2021

Sunday Diva/Three From The Hip: Dalbello

Sunday Diva/Three From The Hip: 
Dalbello

In my own personal big gay church there is a wing dedicated to those who are one of a kind divas; individuals who have remained just that - an individual, no matter their circumstances. They are 'The Rebels'. One such soul?

Dalbello.

Lisa Dal Bello.

Haunting. Howling. Mystic.

One of Canada's not-so-hidden treasures.

To fully appreciate her, you must know her story.

Working professionally, starting at the age of 13, by the age of 19 she wins a Juno as Most Promising Female Vocalist within days of her record label dropping her. 

Soldiering on, she struggled to find herself, her voice. 

And what a voice! Sonically powerful. A true lioness. 

To accomplish this, she briefly left the industry, only to come back as Dalbello. A new sound. A new look. She reached new heights of success. 

Bad timing and an indifferent music industry caused her to step away for a second time. 

From that point on... she called the shots. 

Returning in 1996, she returned - with a most amazing song and video, the truly stunning eLeVeN.

Since that time, she has devoted herself  to the development of new songwriters, imparting to them the lessons she has learned. 

The gospel according to her?

Well, here are three from the hip, dropping from her lips.

The topic? Artistic Development.

"Looking back, I realize now that I shouldn’t have recorded those first few albums, I wasn’t ready, writing-wise I didn’t know what I was doing, I didn’t have a style or a direction and when that happens ,you get pushed in a direction that quite often isn’t you. My advice to any new artist is to take your time, undertake and endeavor to learn about the craft of songwriting. It is so important to know what you are doing. It was crazy and yet a fantastic learning experience. I got to interact with the killer LA 'session cats' but the project went long time-wise and way over budget. I was still experimenting, trying to find myself as a songwriter."

"I had three years to find myself. I was able to put sounds in my head down on tape and that’s what Mick (Ronson) heard. He said `I wouldn’t change a thing’ and that was the validation I was looking for. With Whomanfoursays, I was fighting to establish my fingerprint as an artist, I felt completely comfortable in my own skin. For the first time, I was actually confident about my musical direction. Musically, the album was a natural evolution of the three years of finding myself and exploring what I was really all about and finally developing my own direction, Mick was all about pushing the envelope and developing these new sounds even more, he kept urging me to dig deeper."

"I was socially inept... having started in the music business at such a young age. I didn’t know how to make friends with people, I didn’t know how to interact with people, in all the years or touring and recording, I had never had a normal life, So I thought it was time to walk away from the recording business. I began working with music programmer and arranger Scott Humphrey and became involved in a personal relationship not long after we met during the making of my `She’ album. I moved with him to Los Angeles where I started to focus on writing songs for and with other people including The Wilson Sisters (Heart), and songwriters Carole Bayer Sager, Holly Knight, Carole Pope, and Julian Lennon."

Black On Black - Dalbello

Tango - Dalbello

eLeVeN - Dalbello

And one last parting shot...

"It’s gratifying to work with potential songwriters and to give something back to the industry, And the one thing I stress to them is to get to the point of being confident about your own songwriting skills before you record that first record. It’s a mistake I made which I try to stress so that others don’t make the same mistakes I did.”



Juno TV: Take Two - Lisa Dal Bello
(Interview)

Tuesday, December 23, 2014

Of Note: 'Necessary Evil' by Nikki Yanofsky


Of Note: 
'Necessary Evil' 
by 
Nikki Yanofsky

Nikki Yanofsky has an edge to her voice that belies her years on this planet.  At the mere age of twenty, she released her fourth album this year, one of the highlights of which is ‘Necessary Evil’.  She rose to international prominence during the 2010 Winter Olympics, singing the game’s theme song, ‘I Believe’.


Though she’s often pigeon-holed as a jazz singer, she frequently allows her pop side to shine on through, as is the case here. 

Also of interest?  At the ripe age of fourteen, Nikki released a tribute album titled, ‘Ella… Of Thee I Swing’.  Quite the undertaking at any age, if you ask me, but, the kid’s got the chops for it, for sure.








Tuesday, November 18, 2014

Of Note: 'Runaway' by Electric Youth


Of Note: 'Runaway' by Electric Youth



The first time I heard this song I thought to myself, "So this is what it sounds like to have a dream fully realized.  To create something exactly as you envisioned it and achieve a kind of personal perfection."  Rich and warm and yet icily ethereal, 'Runaway' manages precisely that. 

Electric Youth is a duo from Ontario, Canada featuring the lush sounds of Austin Garrick and the hypnotic vocals of Bronwyn Griffin.  'Runaway' can be found on their latest album, 'Innerworld'.