Warning... this is an adult site. If reading or viewing things about what gay men do sexually with one another bothers you - you should not read this blog. This blog is a reflection of my adventures and thoughts. Some are fun, some not so pretty. I won't name names, or kiss and tell... but I will live to tell. And baby, trust me - I am gonna spill it all over your pretty little party dress. Enjoy!
Keep your heads up, my dears, your hearts open, and your eyes on the prize. In this new age, the possibilities are endless, all you need do is have a positive mindset and a good work ethic.
Make 2026 a year of hope.
Make it a year of success - however you define it.
Say it isn't so! It's tomorrow. But before we start ripping open presents and tying one on with the nog, it's...
Time to climb back into the Wonderland Burlesque time machine one last time and countdown to the big day. This holiday season, the dial is set for the 1970's!
Oh, you are in for a treat, so grab a seat and buckle up.
The seventies was a decade of change, turbulence and sweetness. Nowhere is this more felt than in the breadth and depth of the music of the time. There were so many different genres being developed, evolving and seeking validation on the radio and the industry music charts, it was a virtual musical cornucopia.
So, get ready for another song of the season by one of our biggest (and not so big) stars, here, stateside, and across the pond, who made the seventies truly magical.
Next up... the always beguiling Kate Bush with the optimistic yuletide operetta, December Will Be Magic Again by Kate Bush from 1979.
December Will Be Magic Again is a festive-themed song by English singer-songwriter Kate Bush. It was released as a single in the UK in November of 1980 and peaked at #29 in the UK, spending seven weeks on the chart. It also charted in Ireland (#13) and Germany (#55). Written and originally recorded in 1979 at Abbey Road Studio 2 London, no promotional video was filmed for the single, though an alternative recording of the song was performed on Bush's 1979 Christmas television special. In her typical, fairy-like manner, Bush spins a collection of apparitions detailing the holiday season, with the titular promise that December Will Be Magic Again.
And that brings us to the end of our twelve-day countdown to the big day.
Wishing you all the best and I hope you've enjoyed this year's countdown!
What? Two days to go? Best pick up the pace, my dears. The big day is fast approaching!
But there's always time to climb back into the Wonderland Burlesque time machine and countdown to the big day. This holiday season, the dial is set for the 1970's!
Oh, you are in for a treat, so grab a seat and buckle up.
The seventies was a decade of change, turbulence and sweetness. Nowhere is this more felt than in the breadth and depth of the music of the time. There were so many different genres being developed, evolving and seeking validation on the radio and the industry music charts, it was a virtual musical cornucopia.
So, get ready for another song of the season by one of our biggest (and not so big) stars, here, stateside, and across the pond, who made the seventies truly magical.
Next up... the daffy delight of Christmas Day by the cerebral Squeeze from 1979.
Squeeze, still in its initial configuration, was riding high in 1979, which included their two best-selling singles Cool For Cats and Up The Junction, both of which peaked at #2 in the UK. So it seemed only fitting that the lads from Deptford should, at the request of their record company, celebrate with a one-off holiday-themed single. Christmas Day finds the group celebrating in their usual loony tune way, with a ska-beat holding down their version of the fabled events of December 25th. A bit too irreverent and intellectual for the UK's annual Christmas tally, it was no surprise when the single failed to chart. It does, however, remain a cherished memory for the diehard fans of the band and perfectly captures the musically-adventurous waters of the times and the peculiar genius of the band's co-founders, Difford and Tilbrook.
Well, it doesn't have to be all hustle and bustle...
Take time to climb back into the Wonderland Burlesque time machine and countdown to the big day. This holiday season, the dial is set for the 1970's!
Oh, you are in for a treat, so grab a seat and buckle up.
The seventies was a decade of change, turbulence and sweetness. Nowhere is this more felt than in the breadth and depth of the music of the time. There were so many different genres being developed, evolving and seeking validation on the radio and the industry music charts, it was a virtual musical cornucopia.
So, get ready for another song of the season by one of our biggest (and not so big) stars, here, stateside, and across the pond, who made the seventies truly magical.
Next up... the song which inspired this jaunt into the vault of 1970's treasures, it's the dazzling Boney M with their UK #1, Mary's Boy Child/Oh, My Lord from 1978.
Mary's Boy Child/Oh My Lord by Bony M is a cover of Harry Belafonte's 1956 hit Mary's Boy Child, put in medley with an original song, Oh My Lord. It topped the UK Singles Chart for four weeks and became the Christmas #1 in the UK in 1978, spending eight weeks on the charts. It was the second single for the group on the UK's all-time best-selling singles list. The song was later included in the group's Christmas Album, issued in 1981.
The song was a Top 10 hit throughout Europe, and went to #1 in, not only the UK, but Sweden, Switzerland, and Germany, as well. In the US, the track reached #85 on the Billboard Hot 100. It was to be Boney M's final of four singles to chart there.
Jubilant, with a scrubbed reggae beat and pitch-perfect crystalline vocals, Mary's Boy Child/Oh My Lord is sure to remind all the real reason for the season while setting toes 'a tapping!
Time to climb back into the Wonderland Burlesque time machine and countdown to the big day. This holiday season, the dial is set for the 1970's!
Oh, you are in for a treat, so grab a seat and buckle up.
The seventies was a decade of change, turbulence and sweetness. Nowhere is this more felt than in the breadth and depth of the music of the time. There were so many different genres being developed, evolving and seeking validation on the radio and the industry music charts, it was a virtual musical cornucopia.
So, get ready for another song of the season by one of our biggest (and not so big) stars, here, stateside, and across the pond, who made the seventies truly magical.
Next up... from 1977, the achingly soulful sound of the amazing Roberta Flack with the understated The 25th Day Of Last December.
Released by Atlantic Records on December 13, 1977, The 25th Day Of Last December served as the lead single from Flack's highly-anticipated Blue Lights In The Basement album. Written by Gene McDaniel, The 25th Day Of Last December perfectly captures the after tones of a love gone and the memories of holidays past. Billboard wrote: "Roberta's back in time for Christmas with a strong seasonal tune that could be a classic wrapped up in an LP containing nine other soft, warm ballads that are impeccably produced and arranged... Her voice shines through..."
The 25th Day Of Last December peaked at #58 on Billboard's R&B chart and #28 on the AC chart in the US. The album, which also contained her sensuously stirring duet with Donny Hathaway, The Closer I Get To You, was a huge success, peaking at #8 on the album charts, and remains a stellar moment in Flack's musical catalogue.
We're over half-way there, folks! Just five days to go until the big day.
Time to climb back into the Wonderland Burlesque time machine and countdown to the big day. This holiday season, the dial is set for the 1970's!
Oh, you are in for a treat, so grab a seat and buckle up.
The seventies was a decade of change, turbulence and sweetness. Nowhere is this more felt than in the breadth and depth of the music of the time. There were so many different genres being developed, evolving and seeking validation on the radio and the industry music charts, it was a virtual musical cornucopia.
So, get ready for another song of the season by one of our biggest (and not so big) stars, here, stateside, and across the pond, who made the seventies truly magical.
Next up... the gentle, velveteen sounds of holiday favorite Johnny Mathis with 1976's #1 Christmas song in the UK, When A Child Is Born.
When a Child Is Born is a Christmas song, with a melody taken from Soleado, a tune from 1974 by Ciro Dammicco. The tune was based on Dammicco's earlier tune Le rose blu, published in 1972. The English lyrics were written by Austrian composer Fred Jay as a Christmas song - but never mentions the holiday itself. The first version with the English lyrics, a minor hit, was recorded by Michael Holm in 1974. However, the best known version of the song is by Johnny Mathis, whose version was the Christmas #1 in the UK in 1976.
Entitled When a Child Is Born (Soleado), it became Johnny Mathis' sole #1 single on the UK Singles Chart, spending three weeks at the top of the chart in December of 1976, including the coveted Christmas #1 slot. In the US, it appeared in Record World during the Christmas seasons of 1976 and 1977. Later, in 1980, Mathis re-recorded the song as a duet with Gladys Knight & the Pips. This version appeared in Record World during the Christmas season of 1980, and peaked on the UK Singles Chart at #79.
We're over half-way there, folks! Just five days to go until the big day.
Time to climb back into the Wonderland Burlesque time machine and countdown to the big day. This holiday season, the dial is set for the 1970's!
Oh, you are in for a treat, so grab a seat and buckle up.
The seventies was a decade of change, turbulence and sweetness. Nowhere is this more felt than in the breadth and depth of the music of the time. There were so many different genres being developed, evolving and seeking validation on the radio and the industry music charts, it was a virtual musical cornucopia.
So, get ready for another song of the season by one of our biggest (and not so big) stars, here, stateside, and across the pond, who made the seventies truly magical.
Next up... storyteller Chris de Burgh's other-worldly take on the nativity, A Spaceman Came Travelling.
A Spaceman Came Travelling first appeared on Chris de Burgh's second studio album, Spanish Train and Other Stories, which was released in 1975. Since that time it has been released numerous times as a single. After its first release in 1975, the song saw minimal success in the UK. However, it eventually hit #1 in Ireland, staying on the charts for 15 total weeks and climbed to #22 on the Canadian AC charts in 1978. Following de Burgh's inescapable hit The Lady in Red in 1986, A Spaceman Came Travelling was reworked with a re-recorded vocal and reissued as a double A-side with the song The Ballroom of Romance. The new version charted for the first time in the UK, reaching #40 and staying on the British charts for five weeks.
Regarding the song's inception, De Burgh, who had just signed his first recording contract with A&M Records, was broke and "staying at a friend's flat" when he read Chariots of the Gods? by Erich von Däniken. The book made him think "what if the star of Bethlehem was a space craft and what if there is a benevolent being or entity in the universe keeping an eye on the world and our foolish things that we do to each other?" And though the song failed to chart when first released as a single, de Burgh says it's been "much better to have a regular recurring song than a hit for three weeks" - referring to the song's regular airplay on UK radio during the holiday season.
Time to climb back into the Wonderland Burlesque time machine and countdown to the big day. This holiday season, the dial is set for the 1970's!
Oh, you are in for a treat, so grab a seat and buckle up.
The seventies was a decade of change, turbulence and sweetness. Nowhere is this more felt than in the breadth and depth of the music of the time. There were so many different genres being developed, evolving and seeking validation on the radio and the industry music charts, it was a virtual musical cornucopia.
So, get ready for another song of the season by one of our biggest (and not so big) stars, here, stateside, and across the pond, who made the seventies truly magical.
Next up... the plaintive, gentle sweetness of the positively lovely Dana with her holiday hit, It's Gonna Be a Cold, Cold Christmas.
Dana Rosemary Scallon, known professionally as Dana, is an Irish singer, songwriter and politician. Her career as a singer took off when she won the 1970 Eurovision Song Contest with All Kinds of Everything, which became a worldwide million-seller. After enjoying a string of hits, including six Top 40 hits in the UK and twelve in her native Ireland, she entered politics, eventually serving as an MEP for Connacht–Ulster in 1999. She went on to serve as a Member of the European Parliament from 1999 to 2004.
In 1975, she had three Top 40 hits in the UK, one of them being It's Gonna Be a Cold, Cold Christmas which peaked at #4 in the UK and #3 in Ireland. With it's lively lilting melody and sparkling vocals, the song serves up a perfect slice of pop for the holiday season.
Time to climb back into the Wonderland Burlesque time machine and countdown to the big day. This holiday season, the dial is set for the 1970's!
Oh, you are in for a treat, so grab a seat and buckle up.
The seventies was a decade of change, turbulence and sweetness. Nowhere is this more felt than in the breadth and depth of the music of the time. There were so many different genres being developed, evolving and seeking validation on the radio and the industry music charts, it was a virtual musical cornucopia.
So, get ready for another song of the season by one of our biggest (and not so big) stars, here, stateside, and across the pond, who made the seventies truly magical.
Next up... the oddly psychedelic poetic sounds of Sweden's Harpo, sharing his holiday offering, Beautiful Christmas.
Jan Torsten Svensson, known professionally as Harpo, is a Swedish pop singer who was popular in Sweden and around Europe in the 1970s. He is best known for his worldwide hits Moviestar (1975) and Horoscope (1976). Originally signed by the management team behind ABBA, Harpo eventually moved to EMI, where he enjoyed a string of hits from 1973-1977. In 1975, he released Beautiful Christmas as the B-side to his hit Motorcycle Mama. His career hit a snag in 1977, when he served one month in prison for refusing to take part in the Swedish Military Service. After serving his sentence, he resumed his career, eventually signing with Mickey Most's RAK Records, but never attained the same level of success he'd previously experienced.
Harpo perfectly captures the innocence and sweetness of both the era and the season during an appearance on Top Of The Pops. Amidst a trippy, fabric-covered landscape, wearing a crocheted vest and velveteen pants with matching cap, while handling a walking stick, he waxes on about all the things he would give his love (moon, spoon, etc.), accompanied by harpsichord and strings. It all makes Beautiful Christmas an idiosyncratic way to ring in the holidays.
