Warning... this is an adult site. If reading or viewing things about what gay men do sexually with one another bothers you - you should not read this blog. This blog is a reflection of my adventures and thoughts. Some are fun, some not so pretty. I won't name names, or kiss and tell... but I will live to tell. And baby, trust me - I am gonna spill it all over your pretty little party dress. Enjoy!
Just in time to take your mind off all that Solange beating the crap out of JayZ nonsense, here's Ann Coulter, making an ass out of herself, as per usual. This all began when Michelle Obama tweeted a pic of herself with the hashtag #BringBackOurGirls (an act Rush Limbaugh termed as 'pathetic') .
Well, Ann couldn't possibly pass up the opportunity to promote her own twisted world view, so she tweeted the following:
I propose we all have some fun at Ann's expense.
Right click, copy and save the following blank page photo of Ann.
Then open it in MSPaint or some other program, create your own loving memory of Ann, and then tweet, twitter, and/or blog it. Or at least share it with me (uptonking@hotmail.com) I think Ann would really like it. She's been kind of out of the spotlight lately and could use the publicity. Think of it as a campaign in her honor - to honor all the hate and misinformation she has spread like an STD throughout the land. Details and some great examples can be found at Huffington Post: http://www.huffingtonpost.com/2014/05/12/ann-coulter-hashtag-backlash_n_5311319.html?cps=gravity Oh, what the hell.... one more!
Time to take a few swats at all the gadflies currently on
radio's radar.
It’s not good, boys and girls. I was feeling hopeful at the end of 2013,
believing that pop music might save itself, but I was wrong. I only wish pop would eat itself.
It currently seems hell-bent on eating tiny portions of
my brain matter. Each time Enrique
Iglesias’ ‘I’m A Freak’ plays on the radio, another puppy is killed inside my
head.
Thanks
a lot, Robin Thicke.
Dark Horse
Katy Perry
Featuring Juicy J
This one finds the normally sharper than a tack Perry in
‘E.T.’ mode. That works just fine, as
that is a sound that suits her voice, keeping it in a lower register for at
least part of the song. It’s Juicy J’s
contribution that pretty much sinks this one to an all-time low, thanks to the
inclusion of one of the worst name-drops in rap history (“She eats your heart
out, like Jeffrey Dahmer”). How that
ever passed through the quality check machine that is Katy Perry, I don’t know,
but then, there seems to be something amiss with her whole ‘Prism’ phase. Katy?
We like it when you are funny, wry, with tongue firmly planted in
cheek. Check?
Drunk In Love
Beyonce Featuring
Jay Z
“How the hell does this shit happen”, indeed. Tired of Jay Z and B-Bouncy complaining about
their fame and fortune. Fuck them
both. This woman cannot sing (she sort
of throat bellows). And Jay Z’s shtick
is so tired and old – the constant name-dropping is so over – I think he should
invest some of his fortune in a rapper’s retirement home and then, move
in. The lyrics for the song itself are
so random as to render the song without any meaning. Surf board?
Naw, simply bored. Dull, dull,
dull.
XO
Beyonce
And then, again.
As far as B-Bouncy goes, this is as good as it gets. The production on this one lands this plane
perfectly. Love the pulse and sensual
feel. Yes, the lady threatens to careen
into her usual over-sing mode, but fortunately the song itself holds her in
check and she manages to create a career first; a song that doesn’t cause me
excruciating physical pain. In fact, I’ll go so far as to say I ‘heart’ it.
Go on; try not to like this one. It’s a soul throwback with plenty of
repetition, pep, and energy. Whether it
proves to be as annoying as Bobbi McFerrin’s much maligned ode remains to be
seen, but for now… Pharrell has hit a sweet spot, injecting a rush of positivity
into an otherwise sex-obsessed pop world.
Team
Lorde
Remember Lily Tomlin’s ‘Lud and Marie’ sketches? The one featuring the teenage daughter who
would run to her room at the end of the hall and slam the door in protest to
her parent’s inane ramblings? That girl? That’s Lorde.
Lorde would be the roommate from hell; sulky, glowering, and a tad
unjustifiably angry all the time. ‘Team’
is ‘Royals’ part deux, as pretentious as it is revelatory. She’s a talent. She’s a future punch line.
Pompeii
Bastille
Can’t warm up to this one. Would love to hear it minus all the pomp and
circumstance. At its core, there’s a
decent song in there. It’s simply
gussied up in a rather unbecoming way – like a toddler in full make-up.
Story Of My Life
One Direction
If you haven’t seen parody / shred video by SamRick , go
see it immediately. It is much more
interesting than the original. The song
itself? Much more mature than you would
expect of a bunch of teen idols. This
finds One Direction in adult contemporary mode, singing a song that would be
far more meaningful coming out of someone’s mouth who has experienced a bit
more of actual life. However, unlike the
similarly pitched ‘Little Things’, this one has the public panting for more. It’s upbeat and poppy, catchy as hell. Yes, a tad empty, but really only due to the
fact that the song feels ingenuous springing from the mouths of babes still
getting used to the idea of having pubic hair (or not).
Can't Remember To
Forget You
Shakira Featuring
Rihanna
Utterly forgettable dance tripe. Nothing more than an excuse to get these two
ladies grinding the wall in a video and a means of making some cash. Music this empty has not existed since the
death knell of disco or the apex of 1980’s synth pop. Ummm… sorry… already forgotten,
ladies.
Burn
Ellie Goulding
Love this song.
Love its slight build, the bridge into the chorus, and the driving
chorus itself. Yes, Goulding’s vocals
are the airy fluff of pixies and faeries, but this is a solid, driven pop song
and one of her best efforts to date.
The Man
Aloe Blacc
This one is a little slight, even with the Elton John
sample. I like the horns and its overall
retro soul vibe. Problem is, Mr. Blacc’s
voice is serviceable at best. I thought
that same thing about the Avicci single (though it did add a touch of warmth to
that effort). Still, this makes for nice
air filler, sort of a throwback to 1972-74.
Show Me
Kid Ink Featuring
Chris Brown
In this slow burn, built on a sample of the Robin S dance classic, ‘Show Me Love’, Kid Ink and Chris Brown serve up the typical bling-obsessed,
smooth Lothario misogyny that rules the hip hop charts. This stuff goes down just fine, but it lacks
even a whiff of originality. If it wasn’t
for the sample, this one would have never garnered the attention it has. And,
yeah, Chris Brown is a still a total ass-wipe punk. And not the fun kind, either. We are all waiting for the day he gets what’s
coming to him, am I right? I ‘haterz’
him.
Let It Go
Idina Menzel
Rather amazed that this is as popular as it is. As far as song structure goes, it’s a damn
mess and barely coherent. Then there is
the additional problem of Ms. Menzel’s over-the-top vocals. Yes, her typical vocal mannerisms have been
kept in check, but over-singing seems to be her mode of choice for any song she
tackles, something that made many of her ‘Glee’ performances ear-shredding
experiences. This one fares a bit
better, but it’s still goes full-tilt with predictable Broadway overkill.
Adore You
Miley Cyrus
This is not a good song.
The lyrics seem lazy and haphazard.
The music seems a tad too rote.
Together, they make for an uneasy listen. The stupid auto-tune doesn’t help matters,
either. Miley seems to be in a clubland
/ GBL induced haze here. Adore You? More like bore you.
Young Girls
Bruno Mars
Possibly the worst, most cringe-inducing song currently wafting its way through my car radio. Mars sounds like a geriatric Rod Stewart lusting after ‘young WILD girls’ and there is something so creepy about this whole affair. Never mind the horrible lyrics or by-the-numbers melody. This one feels embarrassingly dated and stale. I don’t think anyone is buying this genderless wonder’s ladies’ man persona at all. Ish.
Love Me Again
John Newman
Why is this popular?
The vocals are amateurish at best.
I almost burst out laughing when this dude started singing. He makes Rick Astley sound like a vocal revelation
from heaven. What the hell? I like the retro thing, that’s fun, and once
the backing vocals kick in things are at least tolerable. But those first few bars? LMAO
Do What U Want
Lady Gaga
Featuring R. Kelly
This is such a sweet lap grinder. Lady G does a most impressive Xtina as Mr.
Kelly brings to the party what he does best.
Works from beat one and something I would never have expected from
Gaga. Hmmm… obviously there is more
there than anyone suspected. I mean, the
lady has great pipes and great chops.
More, please. And... who doesn't love that single's cover? Grrr, girl.
Hey Brother
Avicii
A ‘Wake Me Up’ also ran.
Every time I hear it I think of that old Ocean song, ‘Put Your Hand in
the Hand’. I can’t wait for this whole
hillbilly/folk/dance genre to die the embarrassing death it deserves. It is an awful, awful idea.
Love Don't Die
The Fray
and
Waiting For
Superman
Daughtry
Everything that is wrong with what passes for rock
today. Faceless corporate garbage
borrowing from far better sources, this stuff is so indebted it can’t buy its
way into the ears of any self-respecting lover of rock and roll. Is to rock
music what pink goo is to meat.
I’m A Freak
Enrique Iglesias feat. Pitbull
Enrique
once held abundant promise (or am I remembering that wrong). What the hell happened? (Maybe it was just
lust.) But this marks a new all-time
low, and that’s saying a lot considering the bodily waste that preceded it
(Tonight I’m F*cking You). Pitbull shows
up and basically pumps one out with the paycheck in mind. His contribution really does need to be heard
to be appreciated, but here are some of his… ummm… words:
Because I'm a freak freak freak freak freak
freak freak freak, that, that you know
Now can I get
beat-beat-beat-beat-beat-beat-beat, baby back it up nice and slow
I just wanna
skip-skip-skip-skip-skip-skip-skip-skip
ride out and go
I came, I saw, I conquered, on to the next,
let's go
And,
no, I’m not making that up. This is a
ridiculously stupid song, which means it feels right in place with everything else
currently gracing the airwaves. Again, I’m
looking in Robin Thicke’s direction. And
something tells me there are a lot more homages in the vein of ‘Blurred Lines’
to come. Adding to the insult? That horrible hillbilly dance mash-up sound
that is all the rage. Rage? Hell yeah, that’s all I feel when I hear this
crap. Possibly the worst song ever.
The duo that brought us
the best single of the year? They are also responsible for the year’s absolute
worst. That it was as popular as it was makes
one question the taste of those who popularize music.
Justin’s chorus is all saccharine garbage,
but the crap that comes out of Jay Z’s trouty pout makes those of us with any sense of
fairness want to give him a good whack or two.
Dude needs a reality check; people barely making ends meet don’t want to
hear multi-millionaire Jay Z whine about how difficult his life is due to all
his money and fame.
But then to add to
the injury? Name dropping Michael
Jackson’s ‘Thriller’ because… it happens to rhyme? And then there’s that whole ‘Smells Like Teen
Spirit’ thing. Smells more like desperation, as in Courtney Love must need the
money.
It all adds up to a song created by committee –
the members of which should hang their heads in shame.
Timber
– Pitbull / Kesha
Pitbull, who I once had
a crush on (put back on those dark glasses), will apparently rap on just about anything – see Enrique Iglesias’
latest piece of tripe.
This one is all
on him, with a little help from a Kesha.
Both stars are way beyond their shelf life, so whoring themselves out to the latest fad (hillbilly dance music - ugh) would seem to be a way to extend their
fifteen minutes.
This one makes the
Pitbull / Xtina collaboration ‘Feel This Moment’ almost forgivable. Truly painful.
Roar
– Katy Perry
The little single that
failed to live up to its name.
Roar? This thing barely registers
at all.
The incredibly downer beat is
partly to blame, but the thing that sinks this one six feet under are the
lamest lyrics ever to spring from Ms. Perry’s pen.
Katy is best when being ironic and slightly
humorous with tongue firmly planted in cheek or merely being cheeky. Sincere?
Inspirational guru? Ummm… shop
elsewhere. Hallmark stores sell less
stale sentiments of empowerment.
The
Fox – Ylvis
The video was one of the
funniest things out there this year. I actually like the music and, given
different lyrics and subject material, this might be considered a rather catchy
tune. As is? Annoying beyond belief. But that is what happens when a novelty item
with a shelf life of one week ends up sticking around long after it’s worn out
its welcome. Still, kudos for the name
of the group.
Dishonorable Mentions:
Chinese
Food – Alison Gold
Makes Christina Perri’s
‘Jar of Hearts’ and Rebecca Black’s ‘Friday’ seem ground breaking, astoundingly
deep, and musically revelatory.
Robin
Thicke – ‘Blurred Lines’ and ‘Give It 2 Me’
While Prince and Marvin
Gaye would both like some of that sweet royalty money, they would be
embarrassed to be associated with funk this hollow.
Gas
Pedal - Sage the Gemini, WOP – J Dash, Versace – Migos, Bubble Butt – Major
Lazer, feat. Bruno Mars, 2 Chainz, Tyga, and Mystic
Ringtones masquerading
as music.
Started
From the Bottom – Drake
Dude, you are such a
liar. From the bottom? More like the cushy middle. Why are you such a liar?
What
Now – Rihanna
What now, indeed. Shrill and simply trying too hard, Rihanna
should have run from the recording booth before belching up this one. Unlistenable.
We
Can’t Stop – Miley Cyrus
Laziest piece of crap
ever to wash up on the radio. It’s not dance, it’s not great pop, it’s not…
interesting. Can’t stop? More like never got started. (Love that shout
out to the big girls, though.)
Dark
Horse – Katy Perry feat. Juicy J
This one finds the
self-appointed self-esteem priestess in ‘E.T.’ mode, which is fine, but it gets dropped on this list for green lighting Juicy J’s dumbest name drop to America’s
favorite gay serial killer (“She eats your heart out, like Jeffrey Dahlmer).
No, I’m not kidding.
Worst Musical Trend:
Aping
Mumford and Sons and putting a dance beat under it.
Avicii, Pitbull / Kesha,
et al.
Hillbilly blue grass
dance music sucks . Stop it
already.
Mumford and Sons are boring
enough as is.Adding a stupid dance beat
to the mess only demonstrates a total lack of musicality.
Like oil and water,
some things do not belong together.
Runner
Up:
Modern
Country
Goes down like a vanilla
yogurt / latex paint smoothie. Yeah,
even my gag reflex kicks in. Georgia Florida Line? Yuck.
Worst Album:
Elvis
Costello / The Roots : Wise Up Ghost
Talk about a stone cold
soul killer. And not in a good way. I have no idea what either party was
thinking. Possibly the worst team put
together since Brad Paisley and LL Cool J.
Seriously embarrassing and should have never been released. It’s simply so deadly dull.
Runner-Up:
Music
From Baz Luhrmann’s Film: The Great Gatsby
The kind of stuff
nightmares are made of. Some of the
worst musical ideas ever committed by a bunch of people too privileged and self-involved
to know better – which, ironically, is very much in keeping with F. Scott’s original
novel. Hmmm. But, no… this stuff is awful.
Worst Artist:
Okay, Kanye, someone has
stolen your crown, dude.
Bruno Mars – that vaguely
unctuous, gender-deficient pop star - has pulled ahead, thanks to some of the
dumbest lyrics I have ever heard in my life via ‘Gorilla’, ‘Treasure’, ‘When I
Was Your Man’, and the astoundingly (and that’s saying a lot considering ‘Gorilla’
is on this list) bad ‘Young Girls’.
Mr. Mars
has worst taste than Paula Deen’s studio audience members.
This man seriously
creeps me out.
--- ---
Yeah, there are others
that should be on this list… but who has
the time? And why bother?