Tuesday Titillation: Mid-Winter Getaway!

Tuesday Titillation:

Mid-Winter Getaway!

Now, I don't know about you... 

But me?

I have had enough of winter. And honey, we still have all of March to get through.

So? If you're anything like me... your spirits need a bit of a lift.

As in... get in a plane and fly away to somewhere warm and sunny.

Yes, as Ms. Janet was wont to sing... let's getaway! On an escapade!

Time is ticking. We are getting no younger, (but that doesn't mean the pickings can't be).

Drag your February-bleary azz to your laptop and find you some in the sun, hon.

Yes, book a getaway.

It's good for the soul.

And... if you're lucky?

It'll be good some other parts of your body, too, boo. 

Imagine frolicking on the beach.

The sun making sweet love to your body.

And the boys all jealous of that lucky old sun!

- uptonking from Wonderland Burlesque

Escapade - Janet Jackson

Get Away - Bobby Brown

Acquired Tastes XLIII: Gay Pulp Fiction, Part 221 - Rough Trade Part, 14 of 19

Acquired Tastes XLIII: 

Gay Pulp Fiction, Part 221

Rough Trade

Part 14 of 19

Today, we take another look at the Rough Trade imprint.

Brought to you by the good people at Star Distributors, LTD., the Rough Trade imprint published 224 titles, from 1974-1990. Star Distributors, LTD. operated out of a P.O. Box at the Canal Street Station in New York City.

The imprint's numbering system begins with RT-401, and continues thusly. The book number only appears on the spine of the book.

All the books feature the imprint's distinctive Rough Trade logo in the upper left of the book's cover.  The books cover design consists of an all-caps (typically) title in a banner of orange or baby blue near the top. A frame is created by two white stripes descending from the top banner to a thin banner (orange or baby blue) containing the word 'Illustrated' - for the books are, with drawings throughout. At the center of the cover there is an explicit illustration - some ink/pencil, some woodcut/etching - all by various popular gay artists of the time, including Craig Esposito, Adam, Michael, etc.

Did I mention that there are illustrations throughout each book? Well, yes, there are, by the same artist as the cover art. Something for every chapter - so a daunting task for the illustrator, for sure.

Oddly, the early books in the series do not have a publisher's page. Price point for the books began at 2.25 and increased (by various increments) to $3.95. Typically, you can buy these books today for between $25-45.

The back covers sometimes feature a synopsis of the book to entice readers or advertisement for one of Star Distributors' other imprints. Ads also appear at the front or back of the book - offering books, videos, and sex toys.

Here are the next dozen titles. Came up short three times this week. 

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Slave Farm

 Author: Anonymous 

Rough Trade

 1984 

RT-557

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 Stock Car Stud

 Author: Anonymous 

Rough Trade

 1984 

RT-558

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 Marine Master

 Author: Anonymous 

Rough Trade

 1984 

RT-559

Available as a downloadable PDF or ebook at Hommi Publishing.

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 Teen Bootlicker

 Author: Anonymous 

Rough Trade

 1984 

RT-560

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 Beach Brutes

 Author: Anonymous 

Rough Trade

 1985 

RT-561

(Cover not found.)

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 Leather Lunch

 Author: Anonymous 

Rough Trade

 1985 

RT-562

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 Hard Driver

 Author: Anonymous 

Rough Trade

 1985 

RT-563

Available as a downloadable PDF or ebook at Hommi Publishing.

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 Hogtied Chicken

 Author: Anonymous 

Rough Trade

 1985 

RT-564

Available as a downloadable PDF or ebook at Hommi Publishing.

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 Biker Rape Gang

 Author: Anonymous 

Rough Trade

 1985 

RT-565

Available as a downloadable PDF or ebook at Hommi Publishing.

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 Lockerroom Slave

 Author: Anonymous 

Rough Trade

 1985 

RT-566

--- ---

 Hot Hose Firehouse

 Author: Anonymous 

Rough Trade

 1985 

RT-567

(Cover not found.)

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 Steel Mill Stud

 Author: Anonymous 

Rough Trade

 1985 

RT-568

(Cover not found.)

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And that's all for now.

Next up: twelve more tantalizing titles from the Rough Trade imprint.

Until then...

Thanks for reading.

Hard Drivers - Ekstrak

Wonderland Burlesque's Down The Rabbit Hole: Bosko - Part 5 of 8

Wonderland Burlesque's

Down The Rabbit Hole:

Bosko

Part 5 of 8

Down The Rabbit Hole merely places a spotlight on something slightly unusual that's caught my interest. With the help of Wikipedia, YouTube, and other sites, I gather information and learn something new.

Today, we learn all about animators Harman and Ising's classic cartoon character, Bosko!

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From Wikipedia:

Bosko is an animated cartoon character created by animators Hugh Harman and Rudolf Ising. Bosko was the first recurring character in Leon Schlesinger's cartoon series and was the star of thirty-nine Looney Tunes shorts released by Warner Bros. He was voiced by Carman Maxwell, Bernard B. Brown, Johnny Murray, and Philip Hurlic during the 1920s and 1930s and once by Don Messick during the 1990s.

In 1927, Harman and Ising worked for the Walt Disney Studios on a series of live-action/animated short subjects known as the Alice Comedies. The two animators created Bosko in 1928 to capitalize on the recent success of talkies in the motion picture industry - in particular, The Jazz Singer (1927). They began thinking about making a sound cartoon with Bosko in 1928 even prior to their departure from Walt Disney. The character was registered as a 'Negro boy' under the name of Bosko.

After Disney, they worked for a year at Universal on the second season of their Oswald The Rabbit series, and then, in 1929, released their first independent short, Bosko, The Talk-Ink Kid. The purpose of the first short was to demonstrate the teams' ability to coordinate sound with animation. This was a landmark in animation history for being the first cartoon to predominantly feature synchronized speech, setting them "apart from early Disney sound cartoons because it emphasized not music but dialogue". Marketed to various possible outlets, Leon Schlesinger eventually offered them a contract to produce a series of cartoons for Warner Bros. The original short was not seen by the general public until 70 years later - thanks to Cartoon Network.

In his book, Of Mice and Magic, Leonard Maltin states that this early version of Bosko... "was in fact a cartoon-ized version of a young black boy... he spoke in a Southern Negro dialect... in subsequent films this characterization was eschewed, or perhaps forgotten. This could be called sloppiness on the part of Harman and Ising, but it also indicates the uncertain nature of the character itself."

Bosko became the star vehicle for Warner Bros. new Looney Tunes cartoon series. In the early cartoons, he wore long pants and a derby hat, and was frequently in the company of a girlfriend named Honey, a dog named Bruno, Honey's humanized cat named Wilbur and an antagonistic goat. Whether admiring a dress worn by Honey or eating a sandwich (with exaggerated chewing) Bosko had a stock exclamatory reaction indicating his pleasure "Mmmm! Dat sho' is fine!" which became something of a catch phrase.

For the most part, Harman and Ising never called attention to Bosko's racial status, and stayed clear of negative stereotypes involving dice and watermelon - concentrating instead on positive portrayals with Bosko as a spunky and resourceful boy. Bosko's adventures and behavior were heavily influenced by vaudeville, the most popular entertainment of the time. While today some of Bosko's antics may be considered offensive, such portrayals were commonplace at the time of the cartoon's original release. In the later Looney Tunes shorts in which Bosko appeared, his 'accent' disappeared altogether - consequently, his race became more ambiguous.

Bosko would go on to star in thirty-nine musical films (one of which was not released). These were the early days of sound cartoons, and audiences were enthralled simply to see characters talking and moving in step with the music. The shorts are similar to those Disney was producing at the time. The main difference? Budget - Harman and Ising had a budget of $6K, while Disney typically spent $10K per short. This caused Harman and Ising to reuse footage much more frequently than Disney. However, Warner Bros. provided access to a large musical library with all the popular tunes of the day, lavish orchestras and sound recording equipment and staff free of charge.

In 1933, Harman and Ising broke with Warner Bros. over budget disputes. The pair had been careful to secure all rights to the Bosko character and took him with them at the time of their departure. They landed at MGM, however, Bosko, as the public knew him, only lasted for two cartoons. Reintroduced as a more humanized boy with a wild imagination, this new character was Bosko in name only. The new Bosko was poorly-received and lasted seven cartoons before being permanently retired. MGM then fired Harman and Ising due to cost overruns on the films they produced.

When Warner Bros. began marketing Looney Toons to television, Bosko was part of that package. Bosko cartoons were also shown on Nickelodeon from 1988-1992. The character appeared in a 1990 episode of the television series Tiny Toon Adventures titled Fields of Honey, a portrait in the 1996 film Space Jam, this time in his original form, and, in his original form, in the Animaniacs cartoon The Girl with the Googily Goop, in which he is seen parking his car. Another modern appearance was a Futurama opening in Sinkin' in the Bathtub, where he runs off a cliff from the car with Honey in it.

Warner Bros. held the rights to all Bosko cartoons, including those at MGM. However, subsequently, a number of them are now in the public domain. 

Here are the next six cartoons! 

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#25 - Bosko's Store

(1932)

#26 - Bosko the Lumberjack

(1932)

#27- Ride Him, Bosko!

(1932)

#28 - Bosko the Drawback

(1932)

Bosko's Dizzy Date 

AKA: Bosko and Honey

(1932)

#30 - Bosko's Woodland Daze

(1932)

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(More To Come!)

Weekend Onesie: The Red Cross - Part III

Weekend Onesie: 

The Red Cross

Part III

People who check in on this blog on a regular basis know that I am a huge fan of graphics. Some of the finest? From various government agencies and non-profit organizations around the world. I adore their big, broad use of color and presentation of iconic ideals, characters and images.

Non-Profit and Government agencies are responsible for any number of initiatives - suggestions brought home to the people by use of posters. Today, we'll take a brief look at the various campaigns to ensure vital life services are provided to those in need during wartime. This was a matter of great importance in order to ensure military success, as it was a case of all hands on deck to obtain the necessary personnel and funds. To facilitate that success, governments and non-profits got their messages out, boldly, colorfully and patriotically via brilliant posters - no one more brilliantly than the Red Cross.

Today's focus: the recruitment of nurses and nurse's aides.

 

Simple and direct...

These graphics have become iconic.

And part of history.

- uptonking from Wonderland Burlesque

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Over There/ Johnny Get Your Gun - Cast

From The 1942 Motion Picture Yankee Doodle Dandy

Over There - Cast

From The 1942 Motion Picture Yankee Doodle Dandy