Wonderland Burlesque's
Let's All Go To The Movies:
It's In His Kiss
Part XV
It's in his kiss.
Isn't that where it all begins?
A caress of the lips. A deep longing. Sharing a single breath?
On the silver screen such a kiss can be captured forever, frozen in time.
Or so these films would have us believe.
So, let's kiss and tell and spill the beans on these everlasting smacks, smooches, and snogs.
Yes, things can get pretty heated.
Chapstick exists for a reason, you know!
Grab a seat on the aisle.
Popcorn at the ready.
Pucker up and roll film!
- uptonking from Wonderland Burlesque
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Kiss and Make Up
1921
This American silent film was directed by Scott Sidney and stars Earl Rodney, Helen Darling and Thornton Edwards.
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Kiss and Make-up
(1934)
Helen Mack replaced Carole Lombard, who refused to do the role.
Features a very rare example of Cary Grant singing a fully-orchestrated musical number, Love Divided By Two, with a later reprise.
Future Ann Sheridan appears in an uncredited role as a beautician. She would eventually star aside Cary Grant in 1949's I Was A Male Order Bride.
The New York Times critic Andre Sennwald called the film "a first-class lingerie bazaar and a third-class entertainment" and wrote: "It represents a triumphant attempt to achieve pictorial allure without disturbing its pious editorial point of view on the impersonal worship of feminine beauty. It crowds the screen so thickly with silk, satin and nymphs that it is with some difficulty that such agreeable players as Edward Everett Horton, Cary Grant and Genevieve Tobin succeed in projecting themselves at all. Kiss and Make-Up succeeds to a remarkable degree in being dull."
Kiss and Wake Up
(1942)
This American comedy was directed by Jules White and stars Johnny Downs, Frank Sully, and Adele Mara.
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Kiss and Tell
(1945)
Based on the stage play of the same name by F. Hugh Herbert , this American comedy was directed by Richard Wallace and stars 17-year-old Shirley Temple, Jerome Courtland, Walter Abel, Katherine Alexander, Virginia Welles and Robert Benchley.
The $400,000 paid to George Abbott (writer of the original short stories) and Herbert for the play's film rights was a then-record in Hollywood.
Bosley Crowther of The New York Times called the film an "effervescent" adaptation of the stage play and declared Temple "superb in the leading role." Film Daily wrote: "A fast-paced comedy amusing from first to last has been fashioned from F. Hugh Herbert's stage success... [Shirley Temple] delivers her best work since her farewell to childhood." John McCarten of The New Yorker reported that the film hadn't changed much from the "protracted but reasonably diverting" stage version, and singled out Jerome Courtland as "one of the most capable adolescent actors to come along in years."
Kisses Right and Left
(1972)
AKA: Kys til højre og venstre





