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Wednesday, September 04, 2024

Wednesday's Question Of The Day: Revisiting A Favorite

Wednesday's Question Of The Day:
Revisiting A Favorite

Hump day? Well, I'll give you something to ponder.

Yes, it's time for Wednesday's Question Of The Day.

Each Wednesday, a new question to give you the opportunity to do a bit of self-examination.  Think of it as a way of getting to know all about you and a chance to learn a little more about me. 

That's right. You know me; spill that tea! For I am the king of over-sharing!

Oh, and please leave your responses in the comments section. 

Why, think of this as a little blogging kiki!

Okay! Ready, set... 

Here's today's question:

Have you ever revisited something (a book, a movie, etc.) and found it hasn't aged well? What and how?

Sex In The City (the series)

I was cat-sitting for my sister while she was in Japan for ten days. I had very little to do. I ran three miles every day. Wrote a lot. Ate super healthy. And cleaned her house.

I also started re-watching Sex In The City, which was originally shown on HBO. 

My memories of it are very fond. I adored Samantha's sexual exploits and the candidness with which the women would discuss sexual matters. I adored Miranda's stubbornness, drive to achieve, snarkiness, and desire to remain independent. Charlotte was always problematic for me because I can't relate to WASPs. Her prudishness and disregard for reality, while playing well against her more pragmatic cohorts, left me cold. It would seem that the writers also had no idea what to do with her, for they took great joy in placing Charlotte in the most humiliating circumstances possible, something meant to be humorous, but now strikes me as passive-aggressively sado-masochistic.

And then, there was Carrie.

I used to think she was cute and adorable. Like a puppy, mindlessly bounding about with enthusiasm, in need of protection. I wanted to share her lust for life.

Carrie hasn't aged well.

She's myopic; everything is about Carrie. Carrie's latest crisis. Carrie's latest need. Carrie's romance. Carrie, Carrie, Carrie. 

The bitch is exhausting. 

After a point? I wouldn't be inviting her to join us for brunch anymore.

She whines. All the time. She makes excuses - it's always someone else's fault. She never learns. She never grows. There is a surprising lack of maturity and self-awareness hobbling about the streets of New York City on those Louis Vuittons. 

The third time she strays back and reattaches to Mr. Big? You want to take her by both shoulders and shake her like a ragdoll. Honestly? What are you thinking? Have you no self-respect? Are you really this needy? This stupid?

And then there's her relationship with Aidan. The first thing out of her mouth is a lie and she simply continues to lie from that moment on. He's so sweet. He's like a cuddly, loyal yellow Labrador Retriever. And he can fix things! Carrie is a damn fool.

Then there's the matter of what these women actually do. Oh, they are all super-successful - owner of a successful PR firm, manager of a hip, cutting-edge art gallery, partner at a powerful attorney's, firm, and the writer of a popular, salacious newspaper column. But, what do we see them do? They go to restaurants. They go to bars. They go to clubs. They go to art gallery openings. They go to fashion shows. They go shopping. They buy designer shoes. Their homes are little more than places to sleep, have sex, and to store and change clothes. 

It's a mind-numbing. repetitive existence. 

They do walk the streets of New York City - in Carrie's case, frequently looking like a three-dollar hooker. 

I don't fault the actresses. Or the writers, for that matter - although one can only imagine how scripts were written and story arcs determined without anyone raising the possibility that these women were capable of growing and evolving as human beings.

The thing which I adored about the series? The fact that these women formed this tightknit circle, one where everything was on the table. They spoke with a candor which I found refreshing, and still do. It's what I wanted for myself. It's what we all want for ourselves. 

Well, that closeness remains evident. But, post-COVID, it strikes me as little more than a quaint idea, an ideal whose time has passed me by and been rendered a relic. I can't imagine spending that amount of time with the same three people. I now require a lot more privacy and alone time. My days of yearning to adopt a pack mentality have vanished along with my sense of personal safety, appreciation of technology, and desire to tell people what they need to do or be.

In a way, it's a shame.

Revisiting this series? It's as close as I'll ever come to going to a high school reunion. For the longest time, these ladies were my best friends, relationship archetypes I attempted to recreate in real life. Well, you can imagine how well that went, huh? 

In the end? Watching this series again was exactly like going to said reunion. You find yourself surrounded by people you once knew intimately, relied upon constantly and appreciated greatly. But life moved on, and so did you. They're strangers to you now. And all you have in common...

...is the thought of what you used to think used to be.

--- ---

Used To Be Young - Miley Cyrus

Tuesday, September 03, 2024

Tuesday Titillation: My Wild And Raunchy Son by Josman - Chapter III

Tuesday Titillation:
My Wild And Raunchy Son
by Josman

Chapter III

So, for today's post, I decided to share more work by an artist known as Josman. I think his artwork is amazing. As mentioned in the past, I do have my qualms about his work - his themes tend to center on older men having a somewhat taboo relationship with much younger men. 

As I put this collection together, I had to remind myself... this is fantasy. This is a gay fairy tale.

If you don't agree... I understand. But this is the stuff of make-believe. The reality? Well, it looks nothing like this, hons.

I did do a little research on Josman. It seems he used to have a regular comic called Hand Jobs which stopped publishing new material years and years ago. On an on-line discussion board devoted to his work,  someone else mentioned that they believed his work was now licensed by a pay site and that is the reason new material has not been forthcoming.

Thing is, no one seems to know exactly what became of him. Someone on the same forum mentioned that he had published a series of horribly inappropriate works and dropped out of sight. However,  the authenticity of those work has been questioned by others.

One thing I did learn? I am not alone when it comes to my reaction to his artwork. A couple of blogs praise his work, but then also cop to feeling a bit skeezy about enjoying it.
 
Personally, I view these as fairy tales... something devoid of anything approaching reality. And that is the context in which they are being presented here, today.

That said, here is the final of three installments of My Wild And Raunchy Son - from the talented hands of Josman.

Taboo? Fantasy?
An interesting bit of gay history?
You decide. To each their own.
- uptonking from Wonderland Burlesque































Hey Daddy (Daddy's Home) - Usher

Monday, September 02, 2024

Acquired Tastes XLIII: Gay Pulp Fiction, Part 207 - Club Series Books, Part 3 of 3

Acquired Tastes XLIII:
Gay Pulp Fiction, Part 207
Club Series Books
Part 3 of 3

Today we take a final look at the Club Series imprint.

Brought to you by the good people at Star Distributors, LTD., the Club Series imprint lasted a whole two years, from 1973-1974, publishing 36 titles in all. Star Distributors, LTD. operated out of a P.O. Box at the Canal Street Station in New York City.

The books covers feature a solid colored background with a half-dome window ion the lower left side containing an erotic pen and ink illustration, typically having something to do with the subject of the book. The illustrations are of high-quality, depicting masculine, manly middle-age men, sometimes in the company of 'softer' younger men with feminine features.

In the upper left hand corner, you will find the distinctive Club Series logo - opposite, in the upper right hand corner, the price. Across the upper expanse, the title, in a bold, modern white font. The authors names are most likely all pseudonyms. 

On-line, these books can be found for $25.00 - $45.00.

Here are the last 12 titles.

--- ---

 The Teenage Boyfriend
Author: Earl Lowry
 Club Series 
1973
 CLUB-124 

According to Hommi Publishing's Big Ass List, this one is about when a "teenage buddy initiates Jeff who heads to college to practice what he has learned".

Available as a downloadable PDF or ebook at Hommi Publishing.

--- ---

The Sophisticated
 Stud Author: 
Roger Ericson
 Club Series 
1973
 CLUB-125

--- ---

 Boy-Hungry Aristocrats
 Author: San Falzar  
Club Series
 1973 
CLUB-126

--- ---

Schoolmaster’s Lust
 Author: Paul Stevenson 
The Club Series
 1973 
CLUB-127

--- ---

Rough Reamers
 Author: James Marcus 
Club Series
 1974 
CLUB-128

Available as a downloadable PDF or ebook at Hommi Publishing.

--- ---

Marine Meat Eater
 Author: Jack Evans 
Club Series
 1974 
CLUB-129

Available as a downloadable PDF or ebook at Hommi Publishing.

--- ---

The Willing Young Guests
 Author: Petrie Warthan 
Club Series
 1974 
CLUB-130 

According to Hommi Publishing's Big Ass List, this one is about a "movie star who throws an orgy".

Available as a downloadable PDF or ebook at Hommi Publishing.

--- ---

The Butt Branders
 Author: George Ferren 
Club Series
 1974 
CLUB-131

Available as a downloadable PDF or ebook at Hommi Publishing.

--- ---

Ten Inches to Paradise
 Author: Jack Evans 
Club Series
 1974 
CLUB-132

According to Hommi Publishing's Big Ass List, this one is about "boys given a European trip by their fathers".

Available as a downloadable PDF or ebook at Hommi Publishing.

--- ---

The Cocksure Rockstar
  Author: John Platt 
 Club Series 
1974
CLUB-133 

According to Hommi Publishing's Big Ass List, this one is about a "young man who goes to NY hoping to become a rock star".

--- ---

Dude Ranch Suckers
 Author: George Ferren
 Club Series
 1974 
CLUB-134 

According to Hommi Publishing's Big Ass List, this one is about "Bob & Marty, who start a dude ranch".

--- ---

The Giant Lover
 Author: James Marcus 
Club Series
 1974 
CLUB-135

Available as a downloadable PDF or ebook at Hommi Publishing.

--- ---

And that's the end of the Club Series imprint.

Next week: Another tantalizing vintage gay pulp fiction imprint.

Until then...

Thanks for reading!

Idiot Boyfriend - Jimmy Fallon

Sunday, September 01, 2024

Sunday Diva/Three From The Hip: Michael Stipe

Sunday Diva/Three From The Hip:
Michael Stipe

In my big gay church there is a wing dedicated to The Divas Who Represent. They're not all flashy or cocks of the walk - in fact, some never officially came out of the closet during their lifetime - but they are all extraordinarily gifted, sharing their songs, music, and insights, allowing the world at large to learn, in the most subtle of ways, what it's like 'being green'. Thanks to their gifts and their bravery, they help make the world a little more gay every time their voices are heard. And that's been their true super power all along... their voice; they were heard. They mattered. And, whether they liked it or not, they represented!

One such self-described solemn poet?

Michael Stipe.

In his way, he's the blueprint for the modern artist - always exploring new means of expressing himself. 

For the longest time, his art was brought to the world via the band, R.E.M. But since, like a cocoon, that sheltering wrap was shed and he's gone on to redefine himself as an artist. 

His lyrics have always offered glimpses into the private development of this musical icon.

And just as his definition of himself as an artist has always been fluid, so has his definition of his sexuality - a subject which has always intrigued the media and public alike. 

He's a queer artist. That's how he describes himself. And his affection is based on attraction, be it intellectual, emotional or physical. 

The lovely thing about him - there's a secret part of him no one else has access to, a part he's kept for himself which the world will never be privy to. And that's what keeps us fascinated. That's what keeps us engaged in his development. 

He's gone from brash young thing to maturing artist in the span of an honorable, successful career few have achieved. To have the world, but lose your soul? Not an option for him. That was never part of his playbook. 

He's always played for keeps, protecting what is salient, because he recognized early on what was going to be important. At the age of twenty-seven, he took a good hard look at himself and ceased being careless with people. Since that time, he's grown leaps and bounds as both an artist and a person. 

With his focus now more  than ever on the visual, via conceptional art and photography, he remains as vital and fascinating as ever.

The world awaits. Another transformation. Another great reveal.

The gospel according to him?

Well, here's three from the hip, dropping from his lips.

The topics? Sexuality, The Band, and Music Lovers


"There are people that very strongly identify themselves as gay and then lesbian, and then I think there are a lot of people who are kind of some percentage or some version of that."

"I've always felt that sexuality is a really slippery thing. In this day and age, it tends to get categorized and labeled, and I think labels are for food. Canned food."

"My feeling is that labels are for canned food... I am what I am - and I know what I am."

"I'm not homosexual, I'm not heterosexual, I'm just sexual."

"When I get really hammered I take my clothes off. That's a sure sign. It's been a long time since the last time I did that. Probably a year."


"When we first started, we were a band from Athens and that was so off the map."

"I think there were early critics who wanted us to change the world because the Sex Pistols failed."

"We toured that record for a year, which turned out to be the culmination of ten years of being constantly on the road. We were sick to death of touring."

"There was a point in the '80s when I looked out at my audience and I saw people that - were I not on the stage - they'd sooner slug me as they walked by me on the sidewalk. And I realized that I was way beyond the choir."

"We're absolutely American and distinctly so, I think. That's part of what people respond to outside of this country, part of the reason that we're such a huge band outside of the U.S., where we're not so popular now as we were 10 or 12 years ago."

"So, we went from being an Athens band to being a Georgia band to being a Southern band to being an American band from the East Coast to being an American band and now we're kind of an international phenomenon."

"But we're very much an American band and that's that. I think that's part of the appeal outside of this country and it might be part of the reason people turned away from us within this country, because familiarity breeds contempt."

"But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do."


"So, when you divide the world into music lovers, music fans and then those people who are just very casual about their music, it's wallpaper to them, it's elevator music, it's just the thing that's playing in the background that helps them through their day."

"Because the casual music listeners are the ones who turn on the radio and they don't really care what's playing, they just know that they kinda like it or it's easy to drive to or it's easy to sing along to or whatever."

"Super casual music listeners. That's most of the people in the world. And you have to understand, that's why Top 40 radio exists. It's not there for people who seek out music and who love music."

"There was never a golden era of American radio as far as I can tell."

"If you disagree with me, fine! Because that's the great thing about America, we can disagree!"

Stand - R.E.M.

Losing My Religion - R.E.M.

Your Capricious Soul - Michael Stipe

And one last parting shot...

"I went through a period where I was really tired of seeing and reading about myself."

"I'm tired of being this solemn poet of the masses, the enigma shrouded in a mystery."

"If I'm tired of me, I'm sure the public is as well."

"I'm just not that fascinating a person to have had all those lives that I've written about."