Warning... this is an adult site. If reading or viewing things about what gay men do sexually with one another bothers you - you should not read this blog. This blog is a reflection of my adventures and thoughts. Some are fun, some not so pretty. I won't name names, or kiss and tell... but I will live to tell. And baby, trust me - I am gonna spill it all over your pretty little party dress. Enjoy!
Hailing
from Denver, CO, Breanna Rubio was discovered in 2014 at a Big Talent Showcase
in Orange County, CA. She’s been a very
busy girl ever since.
Her
first single, ‘Fly Alone’ (feat. Fat Joe and D.One), had no trouble breaking
into the Top 25 on Billboard’s Dance Club Play Chart. And ‘More’ seems to be having no trouble
following in its footsteps, as it is currently sitting at #15.
A truly
solid dance track, ‘More Than A Feeling’ slinks by on a chunky surge of synths,
while Rubio’s vocals are as sweet as they are smooth.
Currently
a Sophomore at Colorado State University, Breanna sings the national anthem at
many sporting events and is a headliner at concerts and local coffee shops in
Fort Collins.
In
2004, Eric Prydz ‘Call On Me’ which sampled Steve Winwood’s classic ‘Valerie’
was inescapable. Two years later, the
same was true of his ‘Proper Education’ which sampled Pink Floyd’s ‘Another
Brick In The Wall’. Folks, we are
talking about worldwide smashes!
Both
are still in my CD collection and on my Gen 1 IPod.
Mr.
Prydz has enjoyed numerous club hits and has been releasing music on the three
labels he owns: Pryda, Pryda and Friends, and Mouseville, since 2002.
‘Generate’
finds him in classic form. There’s a bit
of the grandiose, sterile, ghost in the machine, atmospherics of classic U2,
or, perhaps, more so, classic Styx or The Alan Parsons Project.
It’s
repetitive, for sure, and, for some, that is enough to damn it. That’s why I would suggest sticking with the
radio edit, rather than the seven minute plus full-length version. However,
with the radio edit clocking in at 2:45, it serves as the perfect palate
cleanser.
All
those icy synths. Brrrrr… it’s like
living in a world made of stainless steel.
‘Generate’
is currently sitting at #9 on Billboard’s Dance Club Play Chart, after having peaked at #8..
Starling
Glow (Liz Hill) is a relative newcomer, having only been on the scene as an
artist since 2013. Her music casts a
wide net, including alternative, pop, rock, dance, and electronica. She writes her own material and has a knack
for seemingly insightful lyrics wrapped up in a healthy serving of pop du
jour.
Her
first single, ‘We Are Infinite’ peaked at #19 on Billboard’s Dance Club Play
Chart. She has since released her self-titled
debut album and a second single, the propulsive, slyly knowing ‘Caution Tape’.
It’s
Dave Aude’s remix work that makes this track click and Ms. Hill’s vocals are
all the better due to his atmospherics. The
song itself is good, but Aude supplements something lacking in the original
with his surging electronics. He did a similar job on ‘We Are Infinite’.
I love
the builds and the chunky synths as much as I love the subject matter.
Personally,
I like the idea of someone ‘discovering’ someone – revealing the good that lies
in another person, despite the risk of rejection. Redemption can come at the hands of another –
their bravery and the effort spent when reaching out to someone who is living in
self-imposed emotional exile on a psychological island of sorts demonstrates to
the person being rescued that something of value lives there.
Something
the other would rather not live without.
Recluses
are frequently high quality people. They’re
simply a bit more prickly, no doubt still licking their wounds, stinging from
life’s bitter lessons. In that state of mind, it’s so easy to reside alone, to
get set in one’s ways. It takes a very brave soul to break down those walls in
the hope of proving that life is more worthwhile in the company of others.
It isn’t
always successful.
But it
is certainly an admirable and worthwhile effort.
Of
Note: ‘Invincible’ (7th Heaven Radio Mix) by Kelly Clarkson
Who
doesn’t love Kelly Clarkson? She’s
real. She’s relatable. She can sing just about anything. In a way,
she’s America’s sweetheart.
Sure,
she’s had her battles: Clive Davis (he is kind of a dick), body-issues (when
you can sing like Kelly, who cares), and indifferent material (ummm, yeah)… but
all that only makes her even more lovable. The most divisive the lady has ever
been is when she voices her choice for the presidency.
‘Invincible’, is merely the latest in a long
line of likable, easy to digest, upbeat singles issued forth by Ms. Clarkson
and her handlers. Singles that come
easily, sound pretty much the same, and fade into radio memory fairly quickly. They’re the musical equivalent of Twinkies,
but with a shorter shelf life.
One
could argue that those life-empowering anthems hold great personal meaning to
many a listener. One could argue that
her songs reflect Ms. Clarkson’s own personal struggles. You could argue that, but – given history
(both that of pop music’s and artists like Ms. Clarkson) – you’d be wrong. Someone
sets them up, and she, with her incredible pipes and unerring sense of pop
smarts, knocks them out of the park.
Not
that there’s anything wrong with delivering up sugary slices of pop-infused
sponge cake. Nor is there anything
really wrong with the term ‘Secretary Rock’, although it is frequently used in
a sexist manner, typically only referring to upbeat music performed by female
artists. Me? I think of acts like Train, when that term
comes to mind.
I keep
thinking that Kelly is going to come into her own someday.
And
that day, is today.
With
the completion of her contract with Mr. Davis, the lady is on her own – she has
the opportunity to call her own shots.
Will she? She loves to sing songs
written by others and even made popular by others. Her in-concert covers demonstrate a breadth,
cleverness and a talent for recognizing great material. Not all singers are meant to write their own
material. I have an inkling Ms. Clarkson
falls into that category. And there’s
nothing wrong with that.
For
years now, Kelly has clocked in and done as told, singing the soon to be Top 40
staples crafted for her by the folks at her label.
So,
what now, brave voyager?
Country
music? You’ve demonstrated that you like
to dabble. You toured with your
mother-in-law, Reba. You did a duet with
Jason Aldean. It seems your voice would lend itself nicely to that sort of
country-pop, perhaps bringing a level of talent to the whole genre.
Or, are
you happy being the Kelly Clarkson you’ve worked so hard over the years to
develop?
No
matter what you do – you will succeed, because America’s got your back, kid.
And
America has never really had an American Sweetheart age without falling off
that pedestal (Amy Grant springs to mind.)
Avoid
being shrill. You can afford to sing
songs without resorting to the very top of your register every time. You’re not Jessie J. You’re not Arianna Grande. You’re not Katy Perry. You’re Kelly Clarkson.
Avoid
being angry. America is full of
anger. We don’t need any more.
Ummm…
and avoid that whole goth thing. (See
‘My December’ – the only time you ever asserted yourself.) That didn’t turn out very well, now did
it? But you’re older and wiser now.