Of Note:
‘Kiss Me Quick’ by Nathan Sykes,
‘I Can’t Feel My Face’ by The Weeknd,
and ‘Teacher’ by Nick Jonas
Remember
all those videos which were the hallmark of shows such as America’s Funniest
Home Videos of cute little kids dressing up and strutting their stuff,
pretending they were Michael Jackson?
Well,
all those little kids grew up and, now, some of them are adults strutting their
stuff on big stages throughout the world.
The influence of Michael Jackson’s music is undeniable. He captured the imaginations and musical
souls of several generations. One only
need listen to the music of Chris Brown or Justin Timberlake to hear how very
integral Mr. Jackson’s archetypical vibe is to the modern soundscape.
Equally
influential? Stevie Wonder’s brand of
super positive, sunshine. The joy and
energy he brought to music in the 1970’s is a sound still being incorporated in
smart R&B based pop music. The man
is all over the airwaves.
In
today’s ‘Of Note’, I present three artists whose current songs bubble and pop,
infused with the musical stylings of both the aforementioned musical
geniuses.
First
up, Nathan Syke’s infectious ‘Kiss Me Quick’.
Nathan,
former member of the British boy band The Wanted, has the chops and a tenor
that won’t quit. He’s already thrilled
the hearts of millions and also enjoyed success as a duet partner with Ariana
Grande on ‘Almost Is Never Enough’. I
love the horns that fuel this disco-inspired ride. This song has already peaked at number one on
Billboard’s Dance Club Play Chart.
Next up,
Canada’s The Weeknd’s jaw dropping turn on ‘I Can’t Feel My Face’.
From
the moment I heard his first album, I knew The Weeknd was something
special. His debut posed him as a
smooth, romantic, Marvin Gaye style rapper.
Since then, he’s gotten a lot of attention, primarily due to his high
profile, initially uncredited vocal work on Ariana Grande’s ‘Love Me
Harder’. ‘I Can’t Feel My Face’ is
currently lodged in the Top Ten on Billboard’s Hot 100 chart, making it his
third Top Ten hit. The Marvin Gaye vibe
continues to percolate under there, for sure, but the chorus is pure Jackson
magic.
And
finally, Nick Jonas’s third solo single from his 2014 self-named album, the sweet and tightly funky ‘Teacher’.
Nick
has established his own place in the hearts of many in the LGBT community, as
he has been unafraid to acknowledge and embrace them. His solo debut definitely casts him in a
George Michael kind of mode, so ‘Teacher’ really comes as no surprise (think
about it). But his Michael Jackson
slickness and ‘Off The Wall’ disco boogie is on display here as well.
Derivative
music? Maybe. But, there’s nothing wrong with borrowing
from the past, as long as you bring something of your own to the table, and
each one of these artists?
They have plenty to serve up.
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