This comes courtesy of our good friend over at Hommi Publishing. We were emailing back and forth the other day, and I was bemoaning the current state of the market for vintage gay pulp fiction paperbacks, sharing how I had been bidding on this particular offering and had committed all the way up to $151.51, only to get scooped at the last minute by one of those auction bots.
Days later, I happen to reviewing documents on my laptop and, lo and behold, there it was... in pdf form, but the entire sketchbook was there, thanks to Timon.
He told me he's not sure what he wants to do with it. He may offer pdf/e-book copies of it on his sight or as a premium giveaway for his Patreon subscribers. I'm very grateful he shared it with me.Given that, I've decided to only share the pages and drawings unique to the collection. The sketches for the first 31 HIS69 titles (6901-6931) are included in the book. Below, you'll find the cover, cover page, a note from the artist, an advertisement for HIS69 Books, and six illustrations unique to the collection.
According to the note from the artist placed at the beginning of the collection and Maitland McDonagh, founder of 120 Days Books:
"This is the first of two planned collections of art by 'Adam', who created an enormous number of covers for Surrey Books' HIS69 line during the 1970's. It's an 81/2" X 11", 32-page softcover published in 1972 and the cover declares it to be volume one. If there were any subsequent volumes, I've never run across them and at this point, I doubt I could afford one if I did. In addition to original sketches for covers, it includes an introduction by 'Adam' himself. While he doesn't share his full name, he does reveal that his studio -which may or may not have been his home as well - was in Greenwich Village and that he worked with models, which accounts for the fact that the final images had a sense of individuality both in the faces and the figures. Yes, they're attractive and have good bodies, but they don't all look the same and 'Adam' also writes that while most are professional models, some are what he calls "raw recruit(s) - the young kid on the street, a couple of the guys at the gym, the delivery boy." Or the fellow (pictured at the end of the book), who looks to be in his early 30's and a bit thicker around the middle than the average professional model physique model."
5 comments:
Those are gorgeous. At a point in my late 20s - early 30s I tried my hand a pencil sketches of nude males. I was nowhere near that good. Excellent post! and a great way to wrap up that series.
Good job!
Ohhhh Love arty stuff - thanks for posting! Talk about esoterica erotica (and your search for it)! 45 posts! Great stuff!
Absolutely fantastic!
Sexy, lush, and soooo erotic.
Love this.
XOXO
Adam's real name was Giacomo ("Jack") Bozzi. A slim, curly-haired Italian-American, Bozzi most loved painting watercolor landscapes; to make a living, though, he worked as a fashion and marketing illustrator during the 1970s and as an interior designer in the 1980s. He claimed he only did book covers for extra money to pay his bills. He lived in a small loft apartment (which doubled as his art studio) above Physique Memorabilia, a "treasures and trash" shop at East 12th Street in New York's East Village, and he sold some of his art through that shop too. A brief interview with him appears in the French gay lifestyle magazine "Gai Pied Hebdo," issue 289 (October 10, 1987)--the interview text is published in French, and someone posted an English translation of it to the Gay Magazine Fiction Google group.
Post a Comment